Fanny Mendelssohn, Martin Malto made "Vier Lieder für das Pianoforte, op. 2 - No 1 Andante" available on August 20, 2020. The duration of Vier Lieder für das Pianoforte, op. 2 - No 1 Andante is about 3 minutes long, at 3:22. Based on our data, "Vier Lieder für das Pianoforte, op. 2 - No 1 Andante" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vier Lieder für das Pianoforte, op. 2 by Fanny Mendelssohn. The song's track number on the album is #1 out of 4 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Vier Lieder für das Pianoforte, op. 2 - No 1 Andante's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Vier Lieder für das Pianoforte, op. 2 - No 1 Andante by Fanny Mendelssohn, Martin Malto has a tempo of 144 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Vier Lieder für das Pianoforte, op. 2 - No 1 Andante being at 144 BPM, the half-time would be 72 BPM with a double-time of 288 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valse sentimentale, Op.51, No.6 | Pyotr Ilyich Tchaikovsky, Heinrich Schiff, Samuel Sanders | A Minor | 0 | 8A | 74 BPM | ||
15 Improvisations, FP 170: No. 13 in A Minor | Francis Poulenc, Lucille Chung | C Major | 0 | 8B | 72 BPM | ||
Piano Sonata in G Minor: III. Adagio | Fanny Mendelssohn, Beatrice Rauchs | D Major | 1 | 10B | 164 BPM | ||
Bocherini / Arr Grützmacher: Cello Concerto No. 9 in B-Flat Major, G. 482: II. Adagio non troppo (Arr. Grützmacher) | Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | G Minor | 1 | 6A | 86 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
Auf dem Wasser zu singen, D. 774 - Transcription: Franz Liszt, Searle 558 No. 2 | Franz Schubert, Evgeny Kissin | E♭ Major | 0 | 5B | 71 BPM | ||
Kitsch-Musik: III. Allegretto | Valentin Silvestrov, Elisaveta Blumina | E♭ Major | 0 | 5B | 65 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Chants du Rhin, WD 52: Les rêves | Georges Bizet, Nathanaël Gouin | D♭ Major | 0 | 3B | 65 BPM | ||
Gartenlieder, Op. 3: No. 5. Seid gegrusst | Fanny Mendelssohn, Edina Leue, Gabriele Peters, Herlind Wartenberg, Jorg Hannes Kuhn, Florian Giertzuch, Cologne Leonarda Ensemble Choir, Elke Mascha Blankenburg | E Major | 1 | 12B | 81 BPM |
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