12 Songs, Op. 21: No. 7. How Fair Is This Place (arr. I. Mikhnovsky for piano)
Sergei Rachmaninoff, Isaac Mikhnovsky, Julia Severus
Rachmaninoff: Rare Piano Transcriptions
2:20 May 12, 2017
BPM
67
Key
A Major
Camelot
11B

Embed

Share Link

12 Songs, Op. 21: No. 7. How Fair Is This Place (arr. I. Mikhnovsky for piano) - Sergei Rachmaninoff, Isaac Mikhnovsky, Julia Severus Information

Acousticness
99%
Danceability
32%
Energy
3%
Instrumentalness
87%
Liveness
8%
Loudness
58%
Speechiness
5%
Valence
6%
Popularity
Loudness
-25.437 dB

Summary

"12 Songs, Op. 21: No. 7. How Fair Is This Place (arr. I. Mikhnovsky for piano)" by Sergei Rachmaninoff, Isaac Mikhnovsky, Julia Severus was released on May 12, 2017. The duration of 12 Songs, Op. 21: No. 7. How Fair Is This Place (arr. I. Mikhnovsky for piano) is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. 12 Songs, Op. 21: No. 7. How Fair Is This Place (arr. I. Mikhnovsky for piano)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Rachmaninoff: Rare Piano Transcriptions". In this album, this song's track order is #1. 12 Songs, Op. 21: No. 7. How Fair Is This Place (arr. I. Mikhnovsky for piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

12 Songs, Op. 21: No. 7. How Fair Is This Place (arr. I. Mikhnovsky for piano) BPM

With 12 Songs, Op. 21: No. 7. How Fair Is This Place (arr. I. Mikhnovsky for piano) by Sergei Rachmaninoff, Isaac Mikhnovsky, Julia Severus having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.

12 Songs, Op. 21: No. 7. How Fair Is This Place (arr. I. Mikhnovsky for piano) Key

This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
8 Études, Op. 42: No. 5 in C-Sharp Minor by Alexander Scriabin, Evgeny Kissin8 Études, Op. 42: No. 5 in C-Sharp MinorAlexander Scriabin, Evgeny KissinD♭ Minor212A132 BPM
Mazurka in C Major by Mikhail Glinka, Inga FioliaMazurka in C MajorMikhail Glinka, Inga FioliaA Minor08A69 BPM
In the Steppes of Central Asia by Alexander Borodin, Royal Philharmonic Orchestra, Vladimir AshkenazyIn the Steppes of Central AsiaAlexander Borodin, Royal Philharmonic Orchestra, Vladimir AshkenazyA Major011B69 BPM
6 Romances, Op. 38: V. The Dream - Musical Moments by Sergei Rachmaninoff, Anna El-Khashem, Holger Groschopp6 Romances, Op. 38: V. The Dream - Musical MomentsSergei Rachmaninoff, Anna El-Khashem, Holger GroschoppD Major510B140 BPM
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851 by Daniel BarenboimBach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851Daniel BarenboimD Minor17A129 BPM
Piano Concerto in F-Sharp Minor, Op. 20: I. Allegro by Alexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor GolovschinPiano Concerto in F-Sharp Minor, Op. 20: I. AllegroAlexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor GolovschinD Major110B84 BPM
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico by Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigBruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energicoMax Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigG Major29B90 BPM
Pavane pour une infante défunte by Maurice Ravel, Alexandre TharaudPavane pour une infante défunteMaurice Ravel, Alexandre TharaudE Minor09A63 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile by Max Bruch, Joshua Bell, Academy of St. Martin in the FieldsScottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabileMax Bruch, Joshua Bell, Academy of St. Martin in the FieldsE♭ Major25B60 BPM
Capriol Suite: 5. Pied-en- l'air by Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerCapriol Suite: 5. Pied-en- l'airPeter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerG Major19B113 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.8348512649536133

End: 0.8387248516082764