"3 Songs for Mixed Choir A Cappella: No. 3, Pierre de soleil" by Philip Glass, SWR Vokalensemble Stuttgart, Marcus Creed had its release date on April 8, 2022. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Philip Glass, SWR Vokalensemble Stuttgart, Marcus Creed's "Glass: Three Songs for Mixed Choir A Cappella" album is number 3 out of 3. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, 3 Songs for Mixed Choir A Cappella: No. 3, Pierre de soleil is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 3 Songs for Mixed Choir A Cappella: No. 3, Pierre de soleil by Philip Glass, SWR Vokalensemble Stuttgart, Marcus Creed to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
China Gates | John Adams, Yuja Wang | E♭ Minor | 1 | 2A | 161 BPM | ||
The Seal Lullaby (Arr. Parkin) | Eric Whitacre, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Braimah Kanneh-Mason, Konya Kanneh-Mason, Aminata Kanneh-Mason, Sheku Kanneh-Mason, Mariatu Kanneh-Mason | D♭ Major | 0 | 3B | 81 BPM | ||
Bifu | Somei Satoh, Hilary Hahn, Cory Smythe | E Minor | 0 | 9A | 174 BPM | ||
Etude | Joep Beving | A Minor | 0 | 8A | 126 BPM | ||
Vanessa and the Changelings | Philip Glass | E♭ Major | 0 | 5B | 123 BPM | ||
Nocturne (Arr. for Solo Violin and Piano) | Dobrinka Tabakova, Mari Samuelsen, Julien Quentin | C Minor | 5 | 5A | 122 BPM | ||
Akhnaten: Act II, Scene 3: Dance | Philip Glass, Dennis Russell Davies | F Major | 2 | 7B | 136 BPM | ||
3 Pieces in Old Style: No. 1. Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | G Minor | 0 | 6A | 85 BPM | ||
Funeral Ikos | John Tavener, Christian-Pierre La Marca, Alexis Kossenko, Les Ambassadeurs | F Minor | 1 | 4A | 77 BPM | ||
Bach mit Zumutungen | Víkingur Ólafsson, Roedelius, Thomas Rabitsch | A Major | 2 | 11B | 134 BPM |