"Manon Lescaut (1993 - Remaster), Act II: In quelle trine morbide (Manon)" by New Philharmonia Orchestra, Montserrat Caballé, Bruno Bartoletti was released on 2004. The duration of Manon Lescaut (1993 - Remaster), Act II: In quelle trine morbide (Manon) is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Manon Lescaut (1993 - Remaster), Act II: In quelle trine morbide (Manon)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 100 Best Opera Classics, so we believe that "Manon Lescaut (1993 - Remaster), Act II: In quelle trine morbide (Manon)" is a single. Manon Lescaut (1993 - Remaster), Act II: In quelle trine morbide (Manon) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Manon Lescaut (1993 - Remaster), Act II: In quelle trine morbide (Manon) by New Philharmonia Orchestra, Montserrat Caballé, Bruno Bartoletti is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): And now...imagine the triumphant procession! | Raymond Leppard, Richard Baker, New Philharmonia Orchestra | G Major | 1 | 9B | 102 BPM | ||
La Gioconda / Act 2: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM | ||
Clarinet Concerto No. 1 in F Minor, Op. 73, J. 114: I. Allegro | Carl Maria von Weber, Martin Fröst, Tapiola Sinfonietta, Jean-Jacques Kantorow | F Minor | 1 | 4A | 75 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
12 Violin Concertos, Op. 8 "Il cimento dell'armonia e dell' invenzione" / Concerto No. 2 in G minor for solo violin, "L'Estate": 2. Adagio - Presto | Antonio Vivaldi, Hugh Bean, New Philharmonia Orchestra, Leopold Stokowski | E Minor | 6 | 9A | 84 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Kiri Te Kanawa, The Tabernacle Choir at Temple Square, Utah Symphony Orchestra, Julius Rudel | F♯ Major | 2 | 2B | 100 BPM | ||
El Salón México | Aaron Copland, New Philharmonia Orchestra | G Major | 1 | 9B | 149 BPM | ||
14 Songs, Op. 34: No. 14, Vocalise (Arr. A. Harris for Violin & Orchestra) | Sergei Rachmaninoff, Isaac Stern, Frank Brieff, Columbia Symphony Orchestra | E Minor | 2 | 9A | 88 BPM | ||
Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): Just then... (The Hunters) | Raymond Leppard, New Philharmonia Orchestra, Richard Baker | A♭ Major | 1 | 4B | 104 BPM | ||
Symphony No.9 in E minor, Op.95 "From the New World": 2. Largo | Antonín Dvořák, New Philharmonia Orchestra, Antal Doráti | D♭ Major | 0 | 3B | 86 BPM |
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