On 1957, the song "Three Little Fugues from Klavierbüchlein für Wilhelm Bach: Fugue in C Major, BWV 953" was released by Johann Sebastian Bach, Glenn Gould. With Three Little Fugues from Klavierbüchlein für Wilhelm Bach: Fugue in C Major, BWV 953 being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Glenn Gould's "Glenn Gould plays Bach: 6 Partitas BWV 825-830; Chromatic Fantasy BWV 903; Italian Concerto BWV 971; The Art of the Fugue BWV 1080 (excerpts); Preludes, Fugues & Fantasies" album is number 12 out of 90. Based on our statistics, Three Little Fugues from Klavierbüchlein für Wilhelm Bach: Fugue in C Major, BWV 953's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Three Little Fugues from Klavierbüchlein für Wilhelm Bach: Fugue in C Major, BWV 953 by Johann Sebastian Bach, Glenn Gould to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Boccherini : Cello Sonata No.7 in B flat major G8 : III Larghetto - Allegro - Larghetto | Luigi Boccherini, Anner Bylsma | A Major | 1 | 11B | 81 BPM | ||
Bach: Jesu, Joy of Man's Desiring from Herz und Mund und Tat und Leben BWV147 | CHA Medical Center | A Major | 1 | 11B | 197 BPM | ||
Partita No. 5 in G Major, BWV 829: I. Preambulum | Glenn Gould | A Minor | 1 | 8A | 114 BPM | ||
Sonata in A Minor No. 1, Wq. 49 " Württembergische Sonate": II. Andante - Remastered | Carl Philipp Emanuel Bach, Glenn Gould | A Major | 1 | 11B | 136 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: II. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 118 BPM | ||
Andante in G Minor, Wq. 116/27, H. 253 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 150 BPM | ||
Bach, JS: Concerto for 4 Pianos in A Minor, BWV 1065: I. Allegro | Johann Sebastian Bach, David Fray, Audrey Vigoureux, Emmanuel Christien, Jacques Rouvier, Orchestre National Du Capitole De Toulouse | A Minor | 3 | 8A | 108 BPM | ||
Prelude In D Major, BWV 925 : Prelude In D Major, BWV 925 | Janos Sebestyen, Johann Sebastian Bach | D Major | 3 | 10B | 139 BPM | ||
Sonata in C Major, Kk.72 | Domenico Scarlatti, Alexandre Tharaud | G Major | 3 | 9B | 154 BPM |
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