Kurt Weill, Wilhelm Brückner-Rüggeberg, Norddeutsches Radio Orchester's ' "Aufstieg und Fall der Stadt Mahagonny: No. 5, Damals kam unter anderen... - Wenn man an einen fremden Strand kommt" was released on its scheduled release date, 1958. The duration of This song is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Aufstieg und Fall der Stadt Mahagonny: No. 5, Damals kam unter anderen... - Wenn man an einen fremden Strand kommt's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 38 in the song's album "Rise and Fall of the City of Mahagonny". In this album, this song's track order is #6. Based on our statistics, Aufstieg und Fall der Stadt Mahagonny: No. 5, Damals kam unter anderen... - Wenn man an einen fremden Strand kommt's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Aufstieg und Fall der Stadt Mahagonny: No. 5, Damals kam unter anderen... - Wenn man an einen fremden Strand kommt by Kurt Weill, Wilhelm Brückner-Rüggeberg, Norddeutsches Radio Orchester having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chants d'Auvergne: 2. Bailero | Joseph Canteloube, Kiri Te Kanawa, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 1 | 6B | 80 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
C'est mon ami | Marie Antoinette, Sandrine Chatron | F Major | 1 | 7B | 102 BPM | ||
Sleep | Ivor Gurney, Ian Bostridge, Julius Drake | B♭ Minor | 0 | 3A | 99 BPM | ||
Doucet: Chopinata. Fantaisie musicale dans un rythme de fox sur des motifs de Chopin | Clément Doucet, Alexandre Tharaud | D♭ Minor | 1 | 12A | 106 BPM | ||
Lieutenant Kijé Suite, Op. 60: II. Romance | Sergei Prokofiev, Tugan Sokhiev | E Minor | 2 | 9A | 72 BPM | ||
Tico Tico | Zequinha Abreu, Ludmila Peterková, Irina Kondratenko | C Minor | 5 | 5A | 105 BPM | ||
Amour et printemps | Èmile Waldteufel, Ensemble FA | E♭ Major | 0 | 5B | 108 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM | ||
4 Lieder, Op. 27, TrV 170: 4. Morgen! | Richard Strauss, Lise Davidsen, Zsolt-Tihamér Visontay, Philharmonia Orchestra, Esa-Pekka Salonen | G Major | 0 | 9B | 171 BPM |