Gerard de Wit, Johanneke de Wit, Harjo Neutkens, Anne-Linde Visser, Dutch Baroque Vocal Consort's 'Psalm 149:5 "Zo zal de heerlijkheid der vromen"' came out on 2016. With Psalm 149:5 "Zo zal de heerlijkheid der vromen" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 38 in the song's album "Psalmcomposties voor Koor en Orgel Vol. 3". In this album, this song's track order is #37. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Psalm 149:5 "Zo zal de heerlijkheid der vromen" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psalm 149:5 "Zo zal de heerlijkheid der vromen" by Gerard de Wit, Johanneke de Wit, Harjo Neutkens, Anne-Linde Visser, Dutch Baroque Vocal Consort having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Laudate pueri Dominum: No. 4, Excelsus super omnes gentes Dominus | Johann Kuhnau, Tobias Hunger, Camerata Lipsiensis, Gregor Meyer | A Major | 1 | 11B | 96 BPM | ||
The Lord is a sun and a shield: No. 5, Chorus "Blessed be the Lord God of Israel" | William Croft, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | A Minor | 1 | 8A | 84 BPM | ||
Allein Gott in der Höh sey Ehr, SwWV 299: II. Variation II | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
When Saul was king: V. Howl, O ye fir-trees | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Anime avventurose" - "Torna o bella" (Orfeo, Coro) | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore Choir, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Wie schön leuchtet der Morgenstern, BWV 436 | Johann Sebastian Bach, Ophira Zakai, Vocalconsort Berlin, Daniel Reuss, Elina Albach | A Minor | 1 | 8A | 87 BPM | ||
IV. Zudem ist Weisheit und Verstand (Choral) | Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Sofia Pavone | A♭ Major | 2 | 4B | 92 BPM | ||
Orgelpartita Psalm 148 - Koraal | Gerard de Wit | D Minor | 3 | 7A | 75 BPM | ||
Biber: Requiem a 15 in A Major: VII. Communio | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 1 | 6B | 101 BPM | ||
Galliard, "Heigh Ho Holiday" | Anthony Holborne, Matthias Höfs, Matthias Janz | C Major | 1 | 8B | 121 BPM |
Section: 0.5347142219543457
End: 0.5389771461486816