"Jamaica: (Jamaica, Land We Love) Eternal Father, Bless Our Land..." by Slovak Radio Symphony Orchestra, Peter Breiner had its release date on February 7, 2014. With This song being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Winter Olympic Anthems: Sochi 2014, Vol. 1 by Slovak Radio Symphony Orchestra, Peter Breiner. The song's track number on the album is #37 out of 43 tracks. Jamaica: (Jamaica, Land We Love) Eternal Father, Bless Our Land... is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Jamaica: (Jamaica, Land We Love) Eternal Father, Bless Our Land... by Slovak Radio Symphony Orchestra, Peter Breiner has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Jamaica: (Jamaica, Land We Love) Eternal Father, Bless Our Land... being at 83 BPM, the half-time would be 42 BPM with a double-time of 166 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
Peer Gynt Suite No.1 op. 46 Anitra's Dance (Tempo di Mazurka) | Academy of St. Martin in the Fields | E Minor | 0 | 9A | 168 BPM | ||
The Ruins Of Athens, Incidental Music, Op. 113: Turkish March | Ludwig van Beethoven, Cincinnati Pops Orchestra | B♭ Major | 4 | 6B | 110 BPM | ||
Giselle: Act II: Lever du soleil et arrivee de la cour (Sunrise and the Arrival of the Court) | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | F Major | 0 | 7B | 63 BPM | ||
Hungarian Dances, WoO 1: No. 1 in G Minor | Johannes Brahms, Cristian Mandeal, George Enescu Philharmonic Orchestra, Bucharest | G Minor | 2 | 6A | 73 BPM | ||
Coppelia: Act III - Danse de fete | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 72 BPM | ||
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
Water Music Suite No. 2 in D, HWV 349: 2. Alla Hornpipe | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Major | 1 | 3B | 112 BPM | ||
Giselle: Act I: Moderato | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 2 | 5B | 174 BPM |