Staatskapelle Dresden, Otmar Suitner, Rolf Apreck, Theo Adam's 'Die verkaufte Braut, JB 1:100, Act II: "Wie schäumst du in den Krügen"' came out on 1965. With this song being about 5 minutes long, at 5:01, "Die verkaufte Braut, JB 1:100, Act II: "Wie schäumst du in den Krügen"" by Staatskapelle Dresden, Otmar Suitner, Rolf Apreck, Theo Adam is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Smetana: Die verkaufte Braut (Highlights - Sung in German)". In this album, this song's track order is #6. In terms of popularity, Die verkaufte Braut, JB 1:100, Act II: "Wie schäumst du in den Krügen" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die verkaufte Braut, JB 1:100, Act II: "Wie schäumst du in den Krügen" by Staatskapelle Dresden, Otmar Suitner, Rolf Apreck, Theo Adam having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 4: Prelude. Morning Mood | Edvard Grieg, Staatskapelle Dresden, Herbert Blomstedt, Herbert Blomstedt, Staatskapelle Dresden | E Major | 0 | 12B | 139 BPM | ||
Two Serenades, Op.69: 2. Lento assai, Op.69 No.2 - In G Minor | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | C Minor | 0 | 5A | 104 BPM | ||
Poeme, Op. 41, No. 6 | Fibich, Grand Philharmonia Orchestra | C Major | 1 | 8B | 135 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
Hansel und Gretel: Act III Scene 2: Wie duftet's von dorten | Engelbert Humperdinck, Staatskapelle Dresden, Otmar Suitner, Ingeborg Springer, Renate Hoff | F Major | 3 | 7B | 94 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Künstler-Leben (Artists' Life), Op. 316 (RV 316) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | C Major | 1 | 8B | 188 BPM | ||
Two Serenades, Op.69: 1. Andante assai, Op.69 No.1 - In D Major | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 0 | 10B | 108 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal: Allegro non troppo | Hector Berlioz, Slovak Radio Symphony Orchestra, Pinchas Steinberg | C Major | 1 | 8B | 118 BPM |
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