Pasdoble. J. Teixidor, Richard Hayman, Richard Hayman Symphony Orchestra made "Amparito Roca" available on July 27, 1990. The duration of Amparito Roca is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Amparito Roca's duration is considered a little bit shorter than the average duration of a typical track. This song is part of World Famous Marches by Richard Hayman. The song's track number on the album is #13 out of 17 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. In terms of popularity, Amparito Roca is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Amparito Roca by Pasdoble. J. Teixidor, Richard Hayman, Richard Hayman Symphony Orchestra has a tempo of 114 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Amparito Roca being at 114 BPM, the half-time would be 57 BPM with a double-time of 228 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Metropolis: I. Auftakt: Der Schmale - Autofahrt | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | F♯ Major | 0 | 2B | 78 BPM | ||
Symphony Fantastique Op.14: Un Bal, Valse (Allegro Non Troppo) | Alberto Lizzio, South German Philharmonic Orchestra | A Major | 1 | 11B | 177 BPM | ||
Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Vorspiel | Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks | A Major | 1 | 11B | 38 BPM | ||
Hiomix | Miphaseia | E♭ Major | 0 | 5B | 78 BPM | ||
Raymonda, Act III: Variation 2 for four dancers | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 129 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): V. Floret silva nobilis (The noble forest) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | G Major | 0 | 9B | 92 BPM | ||
Las mil y una noche: 1. La primera noche | Juan Pablo Fernández Ramos | D Minor | 1 | 7A | 69 BPM | ||
Manon Lescaut, S. 69, Act II: In quelle trine morbide | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | B♭ Minor | 0 | 3A | 60 BPM | ||
Gold und Silber (Gold and Silver), Op. 79: Waltz | Franz Lehár, Budapest Symphony Orchestra, Géza Oberfrank | C Minor | 3 | 5A | 80 BPM | ||
Concerto For Dreams | Orchestral Music X, Marko Celesty | C Major | 0 | 8B | 110 BPM |
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