- BPM
- 129
- Key
- B♭ Minor
- Camelot
- 3A
Mass in B Minor, BWV 232: Gloria. Qui tollis peccata mundi (Chorus) - Johann Sebastian Bach, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki Information
- Acousticness
- 99%
- Danceability
- 17%
- Energy
- 8%
- Instrumentalness
- 61%
- Liveness
- 11%
- Loudness
- 59%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 8%
- Loudness
- -24.536 dB
Summary
"Mass in B Minor, BWV 232: Gloria. Qui tollis peccata mundi (Chorus)" by Johann Sebastian Bach, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki was released on October 3, 2007. The duration of Mass in B Minor, BWV 232: Gloria. Qui tollis peccata mundi (Chorus) is about 3 minutes long, at 3:05. Based on our data, "Mass in B Minor, BWV 232: Gloria. Qui tollis peccata mundi (Chorus)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 27 in Bach: Mass in B minor by Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Based on our statistics, Mass in B Minor, BWV 232: Gloria. Qui tollis peccata mundi (Chorus)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Mass in B Minor, BWV 232: Gloria. Qui tollis peccata mundi (Chorus) BPM
The tempo marking of Mass in B Minor, BWV 232: Gloria. Qui tollis peccata mundi (Chorus) by Johann Sebastian Bach, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Mass in B Minor, BWV 232: Gloria. Qui tollis peccata mundi (Chorus) Key
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Mass in B Minor, BWV 232: Credo. Et exspecto resurrectionem mortuorum (Chorus) | Johann Sebastian Bach, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | D♭ Major | 5 | 3B | 106 BPM | |
 | Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | |
 | St. John Passion, BWV 245: Part II: Aria: Erwage, wie sein blutgefarbter Rucken (Tenor) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 0 | 10A | 87 BPM | |
 | Magnificat in D Major, BWV 243: Esurientes implevit bonis (Alto) | Johann Sebastian Bach, Christine Schäfer, Ibolya Verebics, Ingeborg Danz, James Taylor, Thomas Quasthoff, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | E Major | 1 | 12B | 82 BPM | |
 | Es ist das Heil uns kommen her (Chorus) | Johann Sebastian Bach, Joanne Lunn, Michael Chance, James Gilchrist, Stephen Varcoe, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | E♭ Major | 2 | 5B | 95 BPM | |
 | Concerto for Oboe & Violin in C Minor, BWV 1060R: II. Adagio | Johann Sebastian Bach, Lisa Stewart, Christian Hommel, Kolner Kammerorchester, Helmut Muller-Bruhl | C Minor | 1 | 5A | 95 BPM | |
 | Missa Votiva, ZWV 18: Kyrie I. | Jan Dismas Zelenka, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder Bernius | E♭ Minor | 2 | 2A | 116 BPM | |
 | Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | |
 | Pergolesi: Stabat Mater: IV. Quae moerebat et dolebat | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | D Major | 1 | 10B | 103 BPM | |
 | Symphony No. 4 in F Major, Op. 2, "Shepherd's Lottery": II. Vivace ma non troppo | William Boyce, Aradia Ensemble, Kevin Mallon | E Major | 0 | 12B | 118 BPM |
- ISRC
- SEAER0701090
- Label
- L-M Records/RCA Records
Section: 0.5678658485412598
End: 0.5711560249328613