Dolly Suite, Op. 56: II. Mi-a-ou. Allegro vivo (Arr. H. Rabaud) - Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot Information

Acousticness: 92%
Danceability: 14%
Energy: 3%
Instrumentalness: 97%
Liveness: 8%
Loudness: 55%
Speechiness: 4%
Valence: 4%
Popularity: 0%
Loudness: -27.049 dB

Summary

"Dolly Suite, Op. 56: II. Mi-a-ou. Allegro vivo (Arr. H. Rabaud)" by Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot was released on June 10, 2014. The duration of Dolly Suite, Op. 56: II. Mi-a-ou. Allegro vivo (Arr. H. Rabaud) is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Dolly Suite, Op. 56: II. Mi-a-ou. Allegro vivo (Arr. H. Rabaud)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 18 in Fauré: Masques et bergamasques & Pelléas et Mélisande by Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot. Dolly Suite, Op. 56: II. Mi-a-ou. Allegro vivo (Arr. H. Rabaud) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Dolly Suite, Op. 56: II. Mi-a-ou. Allegro vivo (Arr. H. Rabaud) BPM

The tempo marking of Dolly Suite, Op. 56: II. Mi-a-ou. Allegro vivo (Arr. H. Rabaud) by Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.

Dolly Suite, Op. 56: II. Mi-a-ou. Allegro vivo (Arr. H. Rabaud) Key

This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Cançoneta for Violin and Orchestra	Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner	A Major	0	11B	70 BPM
Poulenc: Cello Sonata, FP 143: II. Cavatine	Francis Poulenc, Daniel Müller-Schott/Robert Kulek	F♯ Major	0	2B	77 BPM
Nocturnes, Op. 27: No. 2 in D Flat Major. Lento sostenuto	Frédéric Chopin, Jan Lisiecki	D♭ Major	0	3B	68 BPM
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude	César Franck, Aldo Ciccolini	B Minor	0	10A	127 BPM
Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante	Ludwig van Beethoven, Mischa Maisky, Martha Argerich	C Major	0	8B	66 BPM
Consolation No. 3 in D-Flat Major, S. 172	Franz Liszt, Lang Lang	D♭ Major	0	3B	74 BPM
Cello Sonata, FP 143: Cavatine: Tres calme	Francis Poulenc, Françoise Groben, Alexandre Tharaud	B♭ Minor	0	3A	122 BPM
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits	Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra	D Minor	1	7A	67 BPM
Elégie in C minor Op. 24 - 1995 Remastered Version	Gabriel Fauré, Jacqueline du Pré	A♭ Major	0	4B	90 BPM
Nocturne No. 4 in E-Flat Major, Op. 36	Gabriel Fauré, Jean Martin	E♭ Major	0	5B	62 BPM

ISRC: QMB2S1400413
Label: L-M Records/RCA Records

Section: 0.7830016613006592

End: 0.7870213985443115