- BPM
- 70
- Key
- D Major
- Camelot
- 10B
Set Me as a Seal - William Walton, Choir of Jesus College, Cambridge, Mark Williams Information
- Acousticness
- 99%
- Danceability
- 20%
- Energy
- 9%
- Instrumentalness
- 20%
- Liveness
- 7%
- Loudness
- 59%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 1%
- Loudness
- -24.374 dB
Summary
"Set Me as a Seal" by William Walton, Choir of Jesus College, Cambridge, Mark Williams was released on June 30, 2014. The duration of Set Me as a Seal is about 3 minutes long, at 3:17. Based on our data, "Set Me as a Seal" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Choir of Jesus College, Cambridge, Mark Williams's "My Beloved's Voice: Sacred Songs of Love" album is number 18 out of 20. Set Me as a Seal is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Set Me as a Seal BPM
We consider the tempo marking of Set Me as a Seal by William Walton, Choir of Jesus College, Cambridge, Mark Williams to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Set Me as a Seal Key
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | |
 | Florida Suite: IV. At Night | Frederick Delius, Ulster Orchestra, Vernon Handley | F♯ Minor | 0 | 11A | 68 BPM | |
 | Cello Sonata, FP 143: Cavatine: Tres calme | Francis Poulenc, Françoise Groben, Alexandre Tharaud | B♭ Minor | 0 | 3A | 122 BPM | |
 | Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | |
 | Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | |
 | Schwanenlied | Fanny Mendelssohn, Eva Oertle, Consuelo Giulianelli | G Minor | 1 | 6A | 143 BPM | |
 | Ma mère l'oye, M. 62: Apothéose: Le jardin féerique. Lent et grave | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | C Major | 0 | 8B | 83 BPM | |
 | Henry V - Suite (arr. Mathieson) (1994 Digital Remaster): 1. Overture: The Globe Playhouse | William Walton, Philharmonia Orchestra | G Major | 5 | 9B | 117 BPM | |
 | Henry V, A Shakespeare Scenario: III. Embarkation | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Christopher Plummer, Choristers of Westminster Cathedral, Academy of St. Martin in the Fields Chorus | B Major | 0 | 1B | 175 BPM | |
 | 6 Pezzi, P. 44: No. 6. Internmezzo-serenata | Ottorino Respighi, Konstantin Scherbakov | A Major | 0 | 11B | 83 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7003428936004639
End: 0.7047715187072754