"Concerto Grosso IV in E-Flat Major, Op. 3: III. Affettuoso" by Pieter Hellendaal, Combattimento Consort Amsterdam, Jan Willem de Vriend was released on March 26, 2021. With Concerto Grosso IV in E-Flat Major, Op. 3: III. Affettuoso being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 18 out of 93 in Baroque Concerti from The Netherlands by Musica ad Rhenum, Jed Wentz. Based on our statistics, Concerto Grosso IV in E-Flat Major, Op. 3: III. Affettuoso's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto Grosso IV in E-Flat Major, Op. 3: III. Affettuoso by Pieter Hellendaal, Combattimento Consort Amsterdam, Jan Willem de Vriend is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: IV. Aria | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: IV. Air contrefugué | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Harpsichord Concerto in G Major, H. 412 (Arr. Mayer & Spindler for Oboe, Strings and Basso continuo): II. Adagio (Cadenza: Mayer) | Albrecht Mayer, Carl Philipp Emanuel Bach, Berliner Barock Solisten | D Major | 0 | 10B | 96 BPM | ||
Concerto grosso No. 1 in G Major, Op. 6/1, HWV 319: IV. Allegro | George Frideric Handel, Sir Neville Marriner, Norman Nelson, Gerald Jarvis, Anthony Howard, Kenneth Heath, John Churchill, Academy of St. Martin in the Fields | G Major | 1 | 9B | 97 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: I. Fantazie | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Handel: Water Music, Suite No. 1 in F Major, HWV 348: II. Adagio e staccato | George Frideric Handel, Amsterdam Baroque Orchestra, Ton Koopman | D♭ Minor | 0 | 12A | 65 BPM | ||
Concerto for 2 Mandolins in G Major, RV 532: I. Allegro | Antonio Vivaldi, Paul O'Dette, Robin Jeffrey, The Parley of Instruments, Peter Holman | D♭ Major | 3 | 3B | 100 BPM | ||
Le Carnaval et la Folie: Air pour les dieux (Rondeau) | Andre Cardinal Destouches, Arion Orchestre Baroque, Mathieu Lussier | D♭ Major | 1 | 3B | 127 BPM | ||
Airs for the Winter: Golden Rod: III. Tempo di minuetto: Allegro | James Oswald, The Broadside Band | A Major | 2 | 11B | 76 BPM | ||
Concerto in G Minor: V. Allegro | Johann Christian Schickhardt, Musica ad Rhenum, Jed Wentz | D♭ Minor | 1 | 12A | 128 BPM |
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