- BPM
- 124
- Key
- A Major
- Camelot
- 11B
Seville (From 'Cities of Romance' Suite) - Haydn Wood, Reginald Foort, Charles Shadwell, BBC Variety Orchestra Information
- Acousticness
- 90%
- Danceability
- 38%
- Energy
- 40%
- Instrumentalness
- 37%
- Liveness
- 18%
- Loudness
- 81%
- Speechiness
- 4%
- Valence
- 74%
- Popularity
- 1%
- Loudness
- -11.677 dB
Summary
Haydn Wood, Reginald Foort, Charles Shadwell, BBC Variety Orchestra made "Seville (From 'Cities of Romance' Suite)" available on March 1, 2006. The duration of Seville (From 'Cities of Romance' Suite) is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Seville (From 'Cities of Romance' Suite)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "The Golden Age of Light Music: Joyousness - The Music of Haydn Wood". In this album, this song's track order is #6. Based on our statistics, Seville (From 'Cities of Romance' Suite)'s popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Seville (From 'Cities of Romance' Suite) BPM
With Seville (From 'Cities of Romance' Suite) by Haydn Wood, Reginald Foort, Charles Shadwell, BBC Variety Orchestra having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
Seville (From 'Cities of Romance' Suite) Key
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | London Suite: 3. Knightsbridge (March) | Eric Coates, BBC Concert Orchestra, Barry Wordsworth | C Major | 3 | 8B | 124 BPM | |
 | Puffin' Billy | Edward White, RTE Concert Orchestra, Ernest Tomlinson | G Major | 1 | 9B | 115 BPM | |
 | In Sherwood | Frederic Curzon | G Major | 1 | 9B | 85 BPM | |
 | Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction. Grave, Adagio cantabile | Max Bruch, Kirill Troussov, Christian Mandeal, Lübeck Philharmonic Orchestra | E♭ Major | 1 | 5B | 94 BPM | |
 | Suite for String Orchestra, JW6 No. 2: I. Moderato | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | G Major | 1 | 9B | 93 BPM | |
 | Depths of a Stranger | Dany Safari | D Major | 1 | 10B | 79 BPM | |
 | Ode for St. Cecilia's Day, HWV 76: I. Ouverture - 2014 Remastered | George Frideric Handel, Rundfunkorchester Berlin, Artur Rother | A Major | 4 | 11B | 114 BPM | |
 | Ballet Suite No. 4 (arr. L. Atovmyan): Waltz (The Song of Great Rivers) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 96 BPM | |
 | Eugene Onegin, Op. 24: Act III: Ecossaise | Pyotr Ilyich Tchaikovsky, Ukraine National Symphony Orchestra, Theodore Kuchar | C Minor | 2 | 5A | 85 BPM | |
 | Tales of Beatrix Potter: Introduction & Opening Credits | John Lanchbery, Orchestra of the Royal Opera House, Covent Garden | D Major | 2 | 10B | 101 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7056918144226074
End: 0.7087273597717285