- BPM
- 85
- Key
- C Minor
- Camelot
- 5A
Eugene Onegin, Op. 24: Act III: Ecossaise - Pyotr Ilyich Tchaikovsky, Ukraine National Symphony Orchestra, Theodore Kuchar Information
- Acousticness
- 96%
- Danceability
- 36%
- Energy
- 21%
- Instrumentalness
- 0%
- Liveness
- 14%
- Loudness
- 76%
- Speechiness
- 5%
- Valence
- 35%
- Popularity
- 3%
- Loudness
- -14.512 dB
Summary
Pyotr Ilyich Tchaikovsky, Ukraine National Symphony Orchestra, Theodore Kuchar's 'Eugene Onegin, Op. 24: Act III: Ecossaise' came out on January 25, 2002. With Eugene Onegin, Op. 24: Act III: Ecossaise being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Russian Opera Arias, Vol. 1". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Hong Kong. Eugene Onegin, Op. 24: Act III: Ecossaise is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Eugene Onegin, Op. 24: Act III: Ecossaise BPM
With Eugene Onegin, Op. 24: Act III: Ecossaise by Pyotr Ilyich Tchaikovsky, Ukraine National Symphony Orchestra, Theodore Kuchar having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
Eugene Onegin, Op. 24: Act III: Ecossaise Key
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | |
 | Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | |
 | Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | |
 | Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | |
 | Recuerdos de la Alhambra | Francisco Tárrega, Andrés Madariaga | D Major | 3 | 10B | 79 BPM | |
 | Peer Gynt Suite No.1, Op.46: 1. Morning Mood | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 141 BPM | |
 | The Tale of Tsar Saltan: The Tale of Tsar Saltan: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 1 | 9B | 80 BPM | |
 | 3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | |
 | Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | |
 | Concerto Grosso In D Major, Op. 6, No. 1 : II. Allegro | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Anna Holbling, Ludovit Kanta, Capella Istropolitana | A Major | 3 | 11B | 131 BPM |
- ISRC
- HKI190154612
- Label
- L-M Records/RCA Records
Section: 0.7831497192382812
End: 0.7886002063751221