"The Silver Swan" by Orlando Gibbons, The Choir of Magdalen College, Oxford, Mark Williams was released on April 22, 2022. With The Silver Swan being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "The Sweet and Merry Month: Music for May Morning". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, The Silver Swan's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Silver Swan by Orlando Gibbons, The Choir of Magdalen College, Oxford, Mark Williams having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orlando Gibbons (bap.1583-1625) - Fantasia à3 in d, VdGS No.3GB, Oxford. Christ Church, Mss.732-35 (ca.1630) | Orlando Gibbons, Phillip W. Serna | A♭ Minor | 3 | 1A | 173 BPM | ||
Il bianco e dolce cigno: Il bianco e dolce cigno | Jacques Arcadelt, Laudantes Consort, Guy Janssens | G Major | 1 | 9B | 47 BPM | ||
A Pavan | Orlando Gibbons, Richard Egarr | A♭ Minor | 1 | 1A | 113 BPM | ||
Purcell: Funeral Sentences: Thou Know'st, Lord, Z. 58C (Second Verse) | Henry Purcell, Philip Ledger, Choir of King's College, Cambridge, The Philip Jones Brass Ensemble | A♭ Major | 3 | 4B | 124 BPM | ||
Erbarm dich mein, o Herre Gott, SWV 148 | Heinrich Schütz, Bremen Weser-Renaissance | C Major | 1 | 8B | 74 BPM | ||
Farnabys Humour | Giles Farnaby, Harmonia Recorder Ensemble | G Major | 0 | 9B | 68 BPM | ||
Je me complains piteusement | Guillaume Dufay, Blue Heron, Scott Metcalfe | A Major | 0 | 11B | 75 BPM | ||
Oedipus, Z.583: II. Music for a While | Henry Purcell, Musikhögskolans Kammarkör Piteå, Andrea Hagman, Erik Westberg | D♭ Major | 4 | 3B | 80 BPM | ||
Lachrimæ, or Seven Teares: X. Mr. John Langton's Pavan, P. 14 | John Dowland, Jordi Savall | A Minor | 1 | 8A | 113 BPM | ||
2 Sacred Songs: No. 2, Ave Maria | Valentin Silvestrov, Agate Burkina, Rūdolfs Bērtiņš, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 79 BPM |
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