André Jolivet, Maurice André's 'Jolivet : Heptade for Trumpet and Percussion : VII Vivo et ritmico' came out on August 24, 2010. The duration of Jolivet : Heptade for Trumpet and Percussion : VII Vivo et ritmico is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Jolivet : Heptade for Trumpet and Percussion : VII Vivo et ritmico's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Maurice André, André Jolivet, Louis de Froment, Orchestre de l'Association des Concerts Lamoureux, Radio-Luxembourg Chamber Orchestra's "Maurice André Edition - Volume 3 (2009 REMASTERED)" album is number 11 out of 104. Based on our statistics, Jolivet : Heptade for Trumpet and Percussion : VII Vivo et ritmico's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Jolivet : Heptade for Trumpet and Percussion : VII Vivo et ritmico by André Jolivet, Maurice André to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jolivet : Heptade : I Allegro | André Jolivet | E Minor | 4 | 9A | 93 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Hora staccato | Grigoras Dinicu, Anton Hollich, Michaela Pühn | E♭ Major | 3 | 5B | 154 BPM | ||
Cello Concerto: III. Cadenza | Kirmo Lintinen, Trey Lee, English Chamber Orchestra, Emilia Hoving | G Major | 2 | 9B | 85 BPM | ||
Lunacy Talked Me out of It | Alberto Moggi, Jacopo Polimeno, Giuseppe Brittanni, Brendon Steel, Royal Philarmonic Cunes | E♭ Minor | 1 | 2A | 100 BPM | ||
Suite, Op. 56: IV. Rondo. Presto | Rudolf Moser, Sinfonietta Riga, Philippe Bach | D Major | 0 | 10B | 101 BPM | ||
Grave et gigue for Violin and Piano: II. Gigue | André Jolivet, Filippo Farinelli, Roberto Costa | F Minor | 1 | 4A | 85 BPM | ||
Copland: Suite from Appalachian Spring: VII. Variations on a Shaker Hymn. Doppio movimento (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | C Major | 0 | 8B | 87 BPM | ||
Waltzes, Op. 64: No. 1 in D-Flat Major, B. 164 "Minute Waltz" (Arr. for Cello Quartet by Piotr Moss) | Frédéric Chopin, Polish Cello Quartet | A♭ Major | 1 | 4B | 105 BPM | ||
From Jewish Life, B. 54: III. No. 3 Jewish Song | Ernest Bloch, Yevgeny Dokshansky, Richard Masters | F Major | 0 | 7B | 137 BPM |
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