"Psalm 74: O God, wherefore art Thou absent" by G B Arnold, The Choir Of Westminster Abbey, Martin Neary had its release date on June 28, 1991. This song is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. There are a total of 19 in the song's album "Psalm 1: Psalms from the first half of the Psalter". In this album, this song's track order is #19. In terms of popularity, Psalm 74: O God, wherefore art Thou absent is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psalm 74: O God, wherefore art Thou absent by G B Arnold, The Choir Of Westminster Abbey, Martin Neary having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Commit Whatever Grieves Thee SHZ 376b | Laestadian Lutheran Church | F Major | 2 | 7B | 90 BPM | ||
アンティグア・バーブーダ 麗しきアンティグア、我ら汝に敬礼せん | Walter Garnet Picart Chambers, Kazuki Yamada, 東京混声合唱団, 斎木ユリ | B♭ Major | 4 | 6B | 78 BPM | ||
Life of Christ, Renew Me | Margaret Rizza, Kevin Mayhew Ltd | A Major | 1 | 11B | 89 BPM | ||
Luckington "Let All the World in Every Corner Sing" | Basil Harwood, The Choir of Kings School, Canterbury, Matthew Martin, Howard Ionascu | D Major | 2 | 10B | 96 BPM | ||
Second Antiphon - Arch. Matthew | St. Tikhon's Seminary & Monastery Choirs, Benedict Sheehan | G Major | 1 | 9B | 90 BPM | ||
I am the rose of Sharon | Ivo Antognini, South Dakota Chorale, Brian A. Schmidt | A Minor | 1 | 8A | 132 BPM | ||
The Lamentations of Jeremiah, Op. 14: Recordare | Choir of St. Ignatius Loyola | A♭ Minor | 2 | 1A | 82 BPM | ||
Oi Isä meidän, huolen meistä kannat (Virsi 366) | Seuralaulu, Juha Paukkeri | B Minor | 2 | 10A | 92 BPM | ||
Jubilus rhythmicus de nomini Jesu (2) | Officium Ensemble, Unknown Artist, Wilfried Rombach | B♭ Major | 2 | 6B | 136 BPM | ||
Michael "All My Hope on God Is Founded" | Herbert Howells, Liverpool Metropolitan Cathedral Choir, Richard Lea, Mervyn Cousins | F Major | 1 | 7B | 82 BPM |