"Ektenia" by State Symphony Capella of Russia was released on October 9, 2007. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Sacred Treasures V: From a Russian Cathedral". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Based on our statistics, Ektenia's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ektenia by State Symphony Capella of Russia having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sacred Concerto No. 5, "May the Lord hear thee in the day of trouble": II. Remember all thy offerings | Dmitry Stepanovich Bortnyansky, State Symphony Capella of Russia, Valeri Kuzmich Polyansky | G Major | 2 | 9B | 94 BPM | ||
Tallis: Loquebantur Variis Linguis - 2. Repleti Sunt Omnes | The Tallis Scholars, Peter Phillips | F Minor | 1 | 4A | 61 BPM | ||
Cherubic Hymn No. 4 | SOFIA ORTHODOX CHOIR | B♭ Major | 1 | 6B | 79 BPM | ||
Australian Up-Country Song | Percy Grainger, Academy of St. Martin in the Fields Chorus, Richard Hickox | E♭ Major | 0 | 5B | 77 BPM | ||
Miserere, Op.44: 4. Domine Deus noster-Lento. Molto espressivo | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | G Major | 1 | 9B | 80 BPM | ||
6 Chansons: No. 2. Un cygne | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | E Minor | 1 | 9A | 82 BPM | ||
Flourish, Mighty Land, Op. 114 - Original Version | Sergei Prokofiev, Valeri Kuzmich Polyansky, Russian State Symphony Orchestra, State Symphony Capella of Russia | C Major | 3 | 8B | 87 BPM | ||
Pesnopeniya i molitvi (Canticles and Prayers): After the Resurrection: Have mercy on us, O Lord | Georgy Sviridov, Credo Chamber Choir, Bogdan Plish | F♯ Major | 0 | 2B | 84 BPM | ||
Liturgy of St. John Chrysostom for Chorus, Op. 31: XVI. Communion Hymn: Praise "God in the Heavens..." | Sergei Rachmaninoff, Valery Polyansky, State Symphony Capella of Russia | E♭ Major | 7 | 5B | 127 BPM | ||
Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM |
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