"Pesnopeniya i molitvi (Canticles and Prayers): After the Resurrection: Have mercy on us, O Lord" by Georgy Sviridov, Credo Chamber Choir, Bogdan Plish was released on January 6, 2015. The duration of Pesnopeniya i molitvi (Canticles and Prayers): After the Resurrection: Have mercy on us, O Lord is about 3 minutes long, at 3:13. Based on our data, "Pesnopeniya i molitvi (Canticles and Prayers): After the Resurrection: Have mercy on us, O Lord" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 23 in the song's album "Sviridov: Hymns & Prayers". In this album, this song's track order is #18. Pesnopeniya i molitvi (Canticles and Prayers): After the Resurrection: Have mercy on us, O Lord is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pesnopeniya i molitvi (Canticles and Prayers): After the Resurrection: Have mercy on us, O Lord by Georgy Sviridov, Credo Chamber Choir, Bogdan Plish having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prince Igor, Act II: Polovtsian Dances, Dance II | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | A Major | 1 | 11B | 75 BPM | ||
Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna | Carl Orff, André Previn, London Symphony Chorus, London Symphony Orchestra | G Major | 2 | 9B | 85 BPM | ||
Hymn of the Cherubim (Excerpt) | USSR Ministry of Culture Chamber Choir | E♭ Minor | 1 | 2A | 126 BPM | ||
Death of Usurer: Adagio | Valery Gergiev, London Symphony Orchestra | C Minor | 0 | 5A | 108 BPM | ||
Vivaldi: La stravaganza, Violin Concerto in E Minor, Op. 4 No. 2, RV 279: I. Allegro | Antonio Vivaldi, Europa Galante, Fabio Biondi | E♭ Minor | 3 | 2A | 109 BPM | ||
Requiem No. 1 in C Minor: Graduale: Requiem aeternam | Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | G Minor | 1 | 6A | 111 BPM | ||
Hurdy-Gurdy: I. Moderato (From "Tagessterne") | Rundfunk Sinfonieorchester Berlin, Frank Strobel | G Minor | 0 | 6A | 63 BPM | ||
Locus iste, WAB 23 | Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe | C Major | 0 | 8B | 66 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM |
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