"On An Overgrown Path (Po zarostlém chodnicku), JW 8/17 - Arr. Rumler for String Orchestra / Book I: 7. Good Night!" by Leoš Janáček, Camerata Zürich, Igor Karsko was released on November 26, 2021. The duration of On An Overgrown Path (Po zarostlém chodnicku), JW 8/17 - Arr. Rumler for String Orchestra / Book I: 7. Good Night! is about 3 minutes long, at 3:00. Based on our data, "On An Overgrown Path (Po zarostlém chodnicku), JW 8/17 - Arr. Rumler for String Orchestra / Book I: 7. Good Night!" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Maia Brami, Camerata Zürich, Igor Karsko, Leoš Janáček's "Leoš Janáček: On An Overgrown Path" album is number 8 out of 27. On An Overgrown Path (Po zarostlém chodnicku), JW 8/17 - Arr. Rumler for String Orchestra / Book I: 7. Good Night! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of On An Overgrown Path (Po zarostlém chodnicku), JW 8/17 - Arr. Rumler for String Orchestra / Book I: 7. Good Night! by Leoš Janáček, Camerata Zürich, Igor Karsko to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 2: Bozinku, ten je hezké! | Leoš Janáček, Lucia Popp, Eva Randová, Wiener Philharmoniker, Sir Charles Mackerras | D♭ Major | 1 | 3B | 113 BPM | ||
Gretchen am Spinnrade, D. 118 (Arr. for Piano by Franz Liszt) | Franz Schubert, Yuja Wang | C Major | 3 | 8B | 78 BPM | ||
Prélude, Op. 11 No. 1 | Anatoly Lyadov, Yoko Kikuchi | G Major | 0 | 9B | 69 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
Debussy: Piano Trio in G Major, CD 5, L. 3: III. Andante espressivo | Claude Debussy, Bertrand Chamayou, Edgar Moreau, Renaud Capuçon | C Major | 1 | 8B | 84 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
5 Pieces, Op. 75, "The Trees": No. 1 Nar ronnen blommar (When the Rowan Blossoms) | Jean Sibelius, Håvard Gimse | E♭ Major | 0 | 5B | 75 BPM | ||
Cello Sonata: II. — | Tamara Konstantin, Jiaxin Lloyd Webber | G Minor | 1 | 6A | 74 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM |
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