Giuseppe Tartini, Andrew Manze made "Sonata In A Minor: VI. Variation I" available on 1997. With Sonata In A Minor: VI. Variation I being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "Tartini: The Devil's Sonata and Other Works". In this album, this song's track order is #19. Sonata In A Minor: VI. Variation I is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Sonata In A Minor: VI. Variation I by Giuseppe Tartini, Andrew Manze having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata For Piano And Violin In E Minor, K.304: 2. Tempo di minuetto | Wolfgang Amadeus Mozart, Hilary Hahn, Natalie Zhu | E Minor | 1 | 9A | 124 BPM | ||
The Flight of the Bumblebee | Sergei Rachmaninoff, Nikolai Rimsky-Korsakov, Finghin Collins | D Minor | 2 | 7A | 92 BPM | ||
Après un rêve, Op. 7, No. 1 | Gabriel Fauré, Joshua Bell | G Minor | 2 | 6A | 59 BPM | ||
Sonata for Violin and Guitar in A Minor, Op. 2, No. 6, MS 26: Tempo di Walzer | Niccolò Paganini, Scott St. John, Simon Wynberg | A Minor | 2 | 8A | 147 BPM | ||
Nocturne in D Minor, Op. 19, TH 133, No. 4 | Pyotr Ilyich Tchaikovsky, Mischa Maisky, Orpheus Chamber Orchestra | D Minor | 0 | 7A | 59 BPM | ||
Melodie from "Orfeo ed Euridice" (Dance of the Blessed Spirits) | Christoph Willibald Gluck, Gil Shaham, Akira Eguchi | D Minor | 1 | 7A | 94 BPM | ||
Saint- Saëns: Introduction and Rondo Capriccioso, Op. 28 | Camille Saint-Saëns, Min Kym | A Minor | 1 | 8A | 90 BPM | ||
Nocturne Op.27, No.2 In D Major | Frédéric Chopin, Catherine Manoukian | B Major | 2 | 1B | 92 BPM | ||
The Four Seasons (Concerti Op.8 Nos.1-4) Spring (La Primavera) Op.8 No.1 E Major: Largo E Pianissimo Sempre | Baroque Festival Orchestra, Alberto Lizzio | D♭ Minor | 0 | 12A | 62 BPM | ||
Sarasate: Introduction et Tarantelle, Op. 43 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | G Major | 2 | 9B | 117 BPM |
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