Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble's 'Sarasate: Introduction et Tarantelle, Op. 43' came out on September 30, 1995. With this song being about 5 minutes long, at 4:43, "Sarasate: Introduction et Tarantelle, Op. 43" by Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 11 in A La Carte by Itzhak Perlman. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Sarasate: Introduction et Tarantelle, Op. 43 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Sarasate: Introduction et Tarantelle, Op. 43 by Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sarasate: Introduction et Tarantelle, Op. 43 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | G Major | 2 | 9B | 117 BPM | ||
Melodie | Christoph Willibald Gluck, Itzhak Perlman, Samuel Sanders | D Minor | 1 | 7A | 89 BPM | ||
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | ||
Der Opernball (2002 Digital Remaster): Midnight Bells (Im chambre séparée) | Samuel Sanders, Itzhak Perlman | C Major | 1 | 8B | 86 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | ||
Symphonie Espagnole In D Minor, Op. 21: 2. Scherzando (Allegro molto) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | G Major | 1 | 9B | 105 BPM | ||
Bruch: Scottish Fantasy, Op. 46: I. (b) Adagio cantabile | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | E♭ Minor | 0 | 2A | 59 BPM | ||
Bach, J.S.: Solo Violin Sonata No. 1 in G Minor, BWV 1001: IV. Presto | Johann Sebastian Bach, Itzhak Perlman | G Minor | 3 | 6A | 94 BPM | ||
Sibelius: Violin Concerto in D Minor, Op. 47: III. Allegro ma non tanto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | D Major | 3 | 10B | 108 BPM | ||
Sonata For Violin And Piano In A: 4. Allegretto poco mosso | César Franck, Itzhak Perlman, Vladimir Ashkenazy | A Major | 2 | 11B | 78 BPM |
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