Johann Strauss II, Mariss Jansons, Wiener Philharmoniker made "Albion Polka, Op. 102" available on January 2, 2012. The duration of Albion Polka, Op. 102 is about 3 minutes long, at 3:19. Based on our data, "Albion Polka, Op. 102" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 25 in the song's album "New Year's Concert 2012". In this album, this song's track order is #6. In terms of popularity, Albion Polka, Op. 102 is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Albion Polka, Op. 102 by Johann Strauss II, Mariss Jansons, Wiener Philharmoniker having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gymnopédie No. 1 in D Major: Lent et douloureux | Erik Satie, Charles Gerhardt | G Major | 1 | 9B | 63 BPM | ||
Dance of the Hours | Amilcare Ponchielli, Leonard Bernstein, New York Philharmonic | E Major | 1 | 12B | 92 BPM | ||
Orphee aux enfers (Orpheus in the Underworld): Orpheus in the Underworld: Can-Can (Peter's Friend) | Jacques Offenbach, Razumovsky Symphony Orchestra, Long Yu | D Major | 3 | 10B | 151 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | E Minor | 1 | 9A | 154 BPM | ||
Nabucco: Overture | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | F Major | 2 | 7B | 100 BPM | ||
Galop Infernal (Can-Can) - De La Opera "Orfeo En Los Infiernos" | Jacques Offenbach, Inma Shara | D Major | 4 | 10B | 74 BPM | ||
ダッタン人の踊り (歌劇 イーゴリ公より) 6 娘たちの流麗な踊り | Alexander Borodin, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra | A Major | 2 | 11B | 176 BPM | ||
Lagunen Waltz, Op. 411 | Johann Strauss II, Polish State Philharmonic Orchestra, Katowice, Johannes Wildner | D Major | 2 | 10B | 99 BPM | ||
Dvořák: Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso | Antonín Dvořák, Nikolaus Harnoncourt, Royal Concertgebouw Orchestra | G Major | 1 | 9B | 154 BPM |
Section: 1.137129306793213
End: 1.1415684223175049