Marco Uccellini, Nicholas McGegan, The Arcadian Academy's 'Sonate, correnti et arie, Op. 4: Sonata IV detta "La Hortensa virtuosa"' came out on November 10, 1993. The duration of Sonate, correnti et arie, Op. 4: Sonata IV detta "La Hortensa virtuosa" is about 3 minutes long, at 3:01. Based on our data, "Sonate, correnti et arie, Op. 4: Sonata IV detta "La Hortensa virtuosa"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "Uccellini: "La bergamasca"". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. In terms of popularity, Sonate, correnti et arie, Op. 4: Sonata IV detta "La Hortensa virtuosa" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonate, correnti et arie, Op. 4: Sonata IV detta "La Hortensa virtuosa" by Marco Uccellini, Nicholas McGegan, The Arcadian Academy having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso No. 10 in F Major: I. Preludio | Giovanni Benedetto Platti, Akademie für Alte Musik Berlin, Georg Kallweit | G Major | 0 | 9B | 95 BPM | ||
Violin Sonata in A Major, Op. 5 No. 6: I. Grave | Arcangelo Corelli, Enrico Onofri | G Major | 1 | 9B | 131 BPM | ||
Sonate over Canzoni, Op. 5: Sonata IV | Marco Uccellini, Romanesca, Andrew Manze | A♭ Minor | 0 | 1A | 116 BPM | ||
Violin Sonata in G Major, Op. 5, No. 12: III. Largo | Jean-Marie Leclair, Trio Settecento | D Minor | 1 | 7A | 110 BPM | ||
Passacaglia in D Minor, BuxWV 161 | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | D Minor | 1 | 7A | 177 BPM | ||
Concert XLIV: Tombeau les regrets - Les pleurs | Monsieur de Sainte-Colombe, Jordi Savall, Wieland Kuijken | D♭ Minor | 0 | 12A | 111 BPM | ||
Concerto 1 in D Minor, Op. 7: III. Vivace | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 142 BPM | ||
"Concerto comique" No.25 In G Minor "Les sauvages et La Furstemberg": 2. Quand on scait aimer et plaire - Andante | Michel Corrette, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel | F♯ Major | 0 | 2B | 101 BPM | ||
Cavalli: Ercole amante, Act 1: Sinfonia | Francesco Cavalli, Thomas Dunford, Jupiter | F♯ Minor | 1 | 11A | 107 BPM | ||
Canzonets to Three Voyces: XI. O Fly Not | Thomas Morley, Josh Lee | B Major | 1 | 1B | 105 BPM |
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