John Blow, Ruth Dyson made "Blow: Suite No. 5 in D Minor: II. Corant" available on April 4, 2011. With Blow: Suite No. 5 in D Minor: II. Corant being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 27 in English Harpsichord Music : Blow, Croft, Chilcot and Purcell by Ruth Dyson. Based on our statistics, Blow: Suite No. 5 in D Minor: II. Corant's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Blow: Suite No. 5 in D Minor: II. Corant by John Blow, Ruth Dyson is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ouverture in G Major: III. Sarabande | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 1 | 7B | 113 BPM | ||
Armida al campo d'Egitto, RV 699: Chi alla colpa fa tragitto | Antonio Vivaldi, Miho Fukui, Dominik Worner, Ensemble F | F♯ Minor | 6 | 11A | 157 BPM | ||
Sistite sidera, coeli motus otiamini: No. 4, Aria, "Ergo grates ei reddamus" | Rinaldo Alessandrini, Concerto Italiano, Sonia Tedla | A Major | 3 | 11B | 93 BPM | ||
Dixit Dominus, RV 595: Donec ponam inimicos tuos: Andante | Antonio Vivaldi, Jane Archibald, Michele de Boer, Nils Brown, Anita Krause, Peter Mahon, Giles Tomkins, Aradia Chorus, Aradia Ensemble, Kevin Mallon | D Major | 3 | 10B | 132 BPM | ||
Psyche, Act I Scene 1: Dance for Ambition, Power, Plenty and Peace | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Violin Sonata in E Minor, Op. 6 No. 9: V. Minuet | Giovanni Mossi, Augusta McKay Lodge, Doug Balliett, Adam Cockerham, Elliot Figg | E♭ Minor | 1 | 2A | 61 BPM | ||
Missa S. Marcellini: XI. Amen - Live at Melk Abbey, 6/10/2000 | Johann Beer, Franz Raml | D♭ Major | 2 | 3B | 86 BPM | ||
When Saul was king: I. When Saul was king over us | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | A Major | 1 | 11B | 170 BPM | ||
Venus and Adonis: Act II: Introduction | John Blow, Consort Of Musicke, Anthony Rooley | C Minor | 0 | 5A | 171 BPM | ||
Op.12, No.4: Canzon La Treccia | Tarquinio Merula, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM |
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