Felix Mendelssohn, Isabelle van Keulen, Ronald Brautigam, Amsterdam Sinfonietta, Lev Markiz made "Concerto for Violin and Piano, MWV O4: II. Adagio" available on February 28, 1996. Since Concerto for Violin and Piano, MWV O4: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Felix Mendelssohn, Lev Markiz's "Mendelssohn, Felix: Concerto for Violin, Piano and String Orchestra" album is number 2 out of 6. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, Concerto for Violin and Piano, MWV O4: II. Adagio is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Concerto for Violin and Piano, MWV O4: II. Adagio by Felix Mendelssohn, Isabelle van Keulen, Ronald Brautigam, Amsterdam Sinfonietta, Lev Markiz to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Masques et Bergamasques Suite, Op. 112: I. Ouverture | Gabriel Fauré, Sinfonieorchester Basel, Ivor Bolton | F Major | 1 | 7B | 135 BPM | ||
Octet in E-Flat Major, Op. 20, MWV R20: I. Allegro moderato, ma con fuoco | Felix Mendelssohn, Daniel Hope, Lucy Gould, Sophie Besancon, Christian Eisenberger, Pascal Siffert, Stewart Eaton, William Conway, Kate Gould | C Major | 3 | 8B | 83 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 4 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 68 BPM | ||
Chopin: Piano Concerto No. 2 in F Minor, Op. 21: III. Allegro vivace | Frédéric Chopin, Martha Argerich, Charles Dutoit, Orchestre Symphonique de Montréal | D♭ Major | 2 | 3B | 97 BPM | ||
Le Carnaval des Animaux, R. 125: XIII. Le Cygne | Camille Saint-Saëns, Lucas Jussen, Arthur Jussen, Concertgebouworkest | G Major | 0 | 9B | 86 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Keyboard Sonatina In F Major, Op. 36, No. 4: II. Andante Con Espressione | Muzio Clementi, Balazs Szokolay | B♭ Major | 1 | 6B | 132 BPM | ||
Clarinet Quintet in B Minor, Op. 115: Clarinet Quintet in B Minor, Op. 115: IV. Con moto | Johannes Brahms, Jerusalem Quartet, Sharon Kam | D Major | 1 | 10B | 70 BPM | ||
24 Preludes, Op. 28: Prelude No. 9 in E Major, Op. 28, No. 9 | Frédéric Chopin, Idil Biret | E Major | 0 | 12B | 78 BPM |
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