"Missa in tempore belli "Paukenmesse": Kyrie" by Joseph Haydn, Judith Blegen, Brigitte Fassbaender, Claes-Håkon Ahnsjö, Hans Sotin, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Leonard Bernstein was released on June 3, 1986. Missa in tempore belli "Paukenmesse": Kyrie is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. The track order of this song in Joseph Haydn, Judith Blegen, Brigitte Fassbaender, Claes-Håkon Ahnsjö, Hans Sotin, Elmar Schloter, Werner Thomas, Bavarian Radio Chorus, Wolfgang Seeliger, Bavarian Radio Symphony Orchestra, Leonard Bernstein's "Haydn: Mass in C "Missa in Tempore Belli"" album is number 1 out of 11. On top of that, Netherlands appears to be the country where this track was created. The popularity of Missa in tempore belli "Paukenmesse": Kyrie is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa in tempore belli "Paukenmesse": Kyrie by Joseph Haydn, Judith Blegen, Brigitte Fassbaender, Claes-Håkon Ahnsjö, Hans Sotin, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Leonard Bernstein to be Presto (very, very fast) because the track has a tempo of 181 BPM, a half-time of 90BPM, and a double-time of 362 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 1/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata No. 60 in C Major, Hob.XVI:50: I. Allegro | Joseph Haydn, Jenő Jandó | C Major | 1 | 8B | 121 BPM | ||
Symphony No.4 in D Minor, Op.12 No.4, G.506: 2. Andantino con moto I | Luigi Boccherini, Per Egland, Christian Lindberg, MIN Ensemble | C Minor | 1 | 5A | 97 BPM | ||
Symphony in D Major, Op. 3, No. 1, W. C1: I. Allegro con spirito | Johann Christian Bach, Miklós Spányi, Concerto Armonico Budapest, Péter Szűts | A♭ Major | 1 | 4B | 147 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Serenade in C Major, Op. 48: IV. Finale (Tema Russo) | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 3 | 9B | 146 BPM | ||
Gavotte - Arr. for Cello and Piano | Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov | D Minor | 0 | 7A | 85 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto | Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 3 | 7A | 82 BPM | ||
Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | F Major | 1 | 7B | 119 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM |
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