"None But The Lonely Heart" by Pyotr Ilyich Tchaikovsky, Josef Sakonov, London Festival Orchestra was released on January 1, 1972. The duration of None But The Lonely Heart is about 3 minutes long, at 3:23. Based on our data, "None But The Lonely Heart" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Violinissimo: Great Violin Encores by Erich Gruenberg, Josef Sakonov. The song's track number on the album is #10 out of 23 tracks. The popularity of None But The Lonely Heart is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since None But The Lonely Heart by Pyotr Ilyich Tchaikovsky, Josef Sakonov, London Festival Orchestra has a tempo of 172 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With None But The Lonely Heart being at 172 BPM, the half-time would be 86 BPM with a double-time of 344 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 1/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Raymonda, Op. 57: Act II - Variation I | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D♭ Major | 0 | 3B | 83 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
The Snow Maiden, Op. 12: I. Introduction | Moscow Symphony Orchestra, Moscow Capella, Elena Okolysheva, Arkady Mishenkin, Pyotr Ilyich Tchaikovsky | C Major | 0 | 8B | 91 BPM | ||
Symphony No. 25 in G minor, K.183: 1. Allegro con brio | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 2 | 6A | 80 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Maskerade-Suite: I. Waltz | Aram Khachaturian, Moscow Symphony Orchestra, Veronika Dudarova | C Major | 3 | 8B | 98 BPM | ||
Raymonda, Act III: Variation for male dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 0 | 4B | 61 BPM |
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