Sofia Philharmonic Orchestra, Bulgarian Choir Cappella's 'Carmina Burana: Tanz' came out on January 1, 2003. With Carmina Burana: Tanz being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 25 in Carl Orff: Carmina Burana by Sofia Philharmonic Orchestra. Based on our statistics, Carmina Burana: Tanz's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Carmina Burana: Tanz by Sofia Philharmonic Orchestra, Bulgarian Choir Cappella is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto, Act IV: La donna e mobile (arr. for orchestra) | Anonymous , Giuseppe Verdi, Sofia Philharmonic Orchestra, Emil Tabakov | B♭ Major | 1 | 6B | 155 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
Peer Gynt, Op. 23: Prelude to Act 4 (Morning mood) | Edvard Grieg, San Francisco Symphony, Edo de Waart | E Major | 0 | 12B | 69 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
La bohème: O soave fanciulla | Giacomo Puccini, Andre Kostelanetz, New York Philharmonic | G Major | 1 | 9B | 63 BPM | ||
Orfa, Act II (Ed. Dario Salvi): Part 2 | Adolphe Adam, Sofia Philharmonic Orchestra, Vesela Trichkova, Dario Salvi | B♭ Major | 0 | 6B | 88 BPM | ||
16 Waltzes, Op. 39 (arr. for orchestra): 16 Waltzes, Op. 39: No. 15. in A flat major (arr. for orchestra) | Various Artists | F Major | 0 | 7B | 65 BPM | ||
Symphony No 40: Molto Allegro | The Slovak Philharmonic Orchestra, Libor Pesek | G Minor | 1 | 6A | 88 BPM | ||
Piano Concerto No. 3 in C Minor, Op. 37: II. Largo | Ludwig van Beethoven, Anton Dikov, Sofia Philharmonic Orchestra, Emil Tabakov | E Major | 0 | 12B | 135 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM |
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