"Adams: Nixon in China: Act II, Scene 2 - "Flesh Rebels"" by John Adams, Edo de Waart, Orchestra of St. Luke's was released on November 1, 1996. The duration of Adams: Nixon in China: Act II, Scene 2 - "Flesh Rebels" is about 3 minutes long, at 3:08. Based on our data, "Adams: Nixon in China: Act II, Scene 2 - "Flesh Rebels"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 41 in the song's album "Nixon In China". In this album, this song's track order is #25. Based on our statistics, Adams: Nixon in China: Act II, Scene 2 - "Flesh Rebels"'s popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Adams: Nixon in China: Act II, Scene 2 - "Flesh Rebels" by John Adams, Edo de Waart, Orchestra of St. Luke's having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 1 | 3B | 95 BPM | ||
Japanese Suite, Op. 33: I. Prelude: Song of the Fisherman | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 134 BPM | ||
The Unanswered Question | Charles Ives, Leonard Bernstein, New York Philharmonic | A♭ Major | 2 | 4B | 105 BPM | ||
Piano Concerto No. 1, Op. 45: I. Con grandezza | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | G Major | 1 | 9B | 70 BPM | ||
Nixon in China, Act II Scene 2: Whip Her to Death! (Live) | John Adams, Robert Orth, Maria Kanyova, Thomas Hammons, Colorado Symphony, Marin Alsop | A♭ Major | 2 | 4B | 138 BPM | ||
Rissolty Rossolty | Ruth Crawford Seeger, Schönberg Ensemble, Oliver Knussen | F Major | 3 | 7B | 117 BPM | ||
Nocturne No. 7 in Eb Major, FP. 56 | Francis Poulenc, Belle Chen | F Minor | 1 | 4A | 76 BPM | ||
Tristan & Isolde: Einleitung | Richard Wagner, Edo de Waart | C Major | 0 | 8B | 82 BPM | ||
Gnossiennes: No. 5 | Erik Satie, Reinbert de Leeuw | G Major | 0 | 9B | 51 BPM | ||
Etudes, Book 1: No. 5, Arc-en-ciel | György Ligeti, Khatia Buniatishvili | A Major | 0 | 11B | 130 BPM |
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