"The Magic Mirror, Pt. 1 "In the Woman's Chamber": No. 4, The Student Enters" by Richard Flury, Nuremberg Symphony Orchestra, Paul Mann was released on January 17, 2020. With The Magic Mirror, Pt. 1 "In the Woman's Chamber": No. 4, The Student Enters being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 34 in Flury: The Magic Mirror & Little Ballet Music by Richard Flury, Nuremberg Symphony Orchestra, Paul Mann. In terms of popularity, The Magic Mirror, Pt. 1 "In the Woman's Chamber": No. 4, The Student Enters is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Magic Mirror, Pt. 1 "In the Woman's Chamber": No. 4, The Student Enters by Richard Flury, Nuremberg Symphony Orchestra, Paul Mann is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vagabondages pour flûte et harpe: II. Langen (Hessen): Handkäse mit Musik - Allegretto | Louis Sauter, Claudio Ferrarini | E Minor | 2 | 9A | 68 BPM | ||
Intend | Orion King | D♭ Major | 2 | 3B | 151 BPM | ||
Der schlimm-heilige Vitalis, Act I, Scene 1: Sinkende Sonne verlischt bald im Meere | Richard Flury, Madrigal Choir of the Nuremberg University of Music, Nuremberg Symphony Orchestra, Paul Mann | A Minor | 1 | 8A | 94 BPM | ||
Ceremonial Parade March | 1st Battalion of Irish Guards | A♭ Major | 7 | 4B | 83 BPM | ||
Bournazel (Marche De L'Union Nationale De La Cavalerie Et Des Chars) | Moreau, Fanfare Du Régiment De Cavalerie De La Garde Républicaine | A Major | 4 | 11B | 129 BPM | ||
Abbey Road concerto for Violin and Orchestra: XII. Maxwell’s Silver Hammer | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 5 | 11B | 157 BPM | ||
Russia Gets the Bomb | William Stromberg & John Morgan | A Minor | 3 | 8A | 73 BPM | ||
Violin Sonata No. 8 in A Major: I. Allegro molto | Richard Flury, Urs Joseph Flury, Gérard Wyss, Bruno Amaducci, Orchestra della Radio Svizzera Italiana | A Minor | 2 | 8A | 91 BPM | ||
A Florentine Tragedy: Wie er gleich einem schalen Krämer spricht! | Richard Flury, Julia Sophie Wagner, Long Long, Daniel Ochoa, Nuremberg Symphony Orchestra, Paul Mann | B♭ Major | 1 | 6B | 91 BPM | ||
Menuet from Berenice | George Frideric Handel, Dutch Royal Military Band, Jan van Ossenbruggen | E♭ Major | 3 | 5B | 94 BPM |
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