"Der schlimm-heilige Vitalis, Act I, Scene 1: Sinkende Sonne verlischt bald im Meere" by Richard Flury, Madrigal Choir of the Nuremberg University of Music, Nuremberg Symphony Orchestra, Paul Mann was released on October 7, 2022. With Der schlimm-heilige Vitalis, Act I, Scene 1: Sinkende Sonne verlischt bald im Meere being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 30 in Flury: Der schlimm-heilige Vitalis by Richard Flury, Rebecca Nelsen, Marlene Gassner, Matthias Stier, Markus Eiche, Nuremberg Symphony Orchestra, Paul Mann. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Der schlimm-heilige Vitalis, Act I, Scene 1: Sinkende Sonne verlischt bald im Meere is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Der schlimm-heilige Vitalis, Act I, Scene 1: Sinkende Sonne verlischt bald im Meere by Richard Flury, Madrigal Choir of the Nuremberg University of Music, Nuremberg Symphony Orchestra, Paul Mann is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Gaîté Parisienne: Ouverture (d'après La vie parisienne) | Jacques Offenbach, Fabien Gabel, Orchestre Symphonique De Québec | E Major | 2 | 12B | 153 BPM | ||
Der schlimm-heilige Vitalis, Act V, Scene 17: Fest des Weines, Fest der Reben | Richard Flury, Madrigal Choir of the Nuremberg University of Music, Nuremberg Symphony Orchestra, Paul Mann | G Minor | 0 | 6A | 127 BPM | ||
Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: I. Folk Dance | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | C Major | 2 | 8B | 72 BPM | ||
À Cheval | Les Trompettes Du Boute-Selle | C Major | 8 | 8B | 115 BPM | ||
Schweizerpsalm | Tonhalle-Orchester Zürich | B♭ Major | 3 | 6B | 84 BPM | ||
Victoria Galop - 1856 | Hans Christian Lumbye, Tivoli Symphony Orchestra | D Major | 4 | 10B | 144 BPM | ||
Patriotic Song (1990-1991) - Instrumental | Urss Soviet Chorus, Historical Voices Songs | B♭ Major | 4 | 6B | 66 BPM | ||
The Story Of A Flemish Farm Suite: Night By The Sea - Farewell To The Flag | RTE Concert Orchestra, Ralph Vaughan Williams | F Minor | 0 | 4A | 107 BPM | ||
Memories of the Streets | Dany Safari | G Major | 1 | 9B | 142 BPM | ||
Marsch aus Petersburg | Erik Eriksson, The Admiralty Band of Leningrad Naval Base, Valentin Lyashchenko | E♭ Major | 3 | 5B | 100 BPM |
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