The Second Service (Morning): Te Deum
Orlando Gibbons, Fretwork, The Choir of Magdalen College, Oxford, Peter Harvey, Rogers Covey-Crump, Bill Ives
Orlando Gibbons: With a Merrie Noyse: Second Service & Consort Anthems
10:55 2003
BPM
85
Key
A♭ Minor
Camelot
1A

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The Second Service (Morning): Te Deum - Orlando Gibbons, Fretwork, The Choir of Magdalen College, Oxford, Peter Harvey, Rogers Covey-Crump, Bill Ives Information

Acousticness
97%
Danceability
14%
Energy
5%
Instrumentalness
0%
Liveness
11%
Loudness
63%
Speechiness
5%
Valence
9%
Popularity
Loudness
-22.182 dB

Summary

"The Second Service (Morning): Te Deum" by Orlando Gibbons, Fretwork, The Choir of Magdalen College, Oxford, Peter Harvey, Rogers Covey-Crump, Bill Ives had its release date on 2003. This song appears to be safe for all ages as it is not explicit. There are a total of 13 in the song's album "Orlando Gibbons: With a Merrie Noyse: Second Service & Consort Anthems". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. The Second Service (Morning): Te Deum is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Second Service (Morning): Te Deum BPM

With The Second Service (Morning): Te Deum by Orlando Gibbons, Fretwork, The Choir of Magdalen College, Oxford, Peter Harvey, Rogers Covey-Crump, Bill Ives having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.

The Second Service (Morning): Te Deum Key

This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.

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ISRC
USHM10333704
Label
L-M Records/RCA Records