"Vier Gesänge, Op. 17: Gesang aus Fingal" by Johannes Brahms, James Macpherson, Kvindelige Studenters Sangforening, Marit Tøndel Bodsberg was released on November 11, 2013. Vier Gesänge, Op. 17: Gesang aus Fingal is about six minutes long, preciously at 6:29, making this song fairly long compared to other songs. The song is number 21 out of 21 in Brahms by Johannes Brahms, Marit Tøndel Bodsberg Weyde, Kvindelige Studenters Sangforening. Going off of the ISRC code of this track, we detected that the origin of this track is from Norway. In terms of popularity, Vier Gesänge, Op. 17: Gesang aus Fingal is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Vier Gesänge, Op. 17: Gesang aus Fingal by Johannes Brahms, James Macpherson, Kvindelige Studenters Sangforening, Marit Tøndel Bodsberg is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carnaval, Op. 9: No. 12. Chopin | Robert Schumann, Boris Giltburg | C Major | 1 | 8B | 77 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
2 Aquarelles: Lento, ma non troppo | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | B♭ Major | 1 | 6B | 72 BPM | ||
4 Klavierstücke, Op. 119: No. 1, Intermezzo in B Minor | Johannes Brahms, Jeremy Denk | B Minor | 0 | 10A | 68 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 116 BPM | ||
24 Preludes, Op. 11: No. 4 in E Minor | Alexander Scriabin, Evgeny Zarafiants | F Major | 1 | 7B | 99 BPM | ||
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM | ||
ヴァイオリン・ソナタ 第2番 イ長調 作品100: 第1楽章: Allegro amabile | Johannes Brahms, Akiko Suwanai, エフゲニー・ボザノフ | A Major | 1 | 11B | 114 BPM |
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