Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar's '21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 12 (orch. Parlow)' came out on June 25, 1988. The duration of 21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 12 (orch. Parlow) is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. 21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 12 (orch. Parlow)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 21 in Brahms: Hungarian Dances Nos. 1-21 by Johannes Brahms, Istvan Bogar. In terms of popularity, 21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 12 (orch. Parlow) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 12 (orch. Parlow) by Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sylvia: Act I: Le berger (Pastorale) | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 72 BPM | ||
Mass in B Minor, BWV 232, Credo: VI. Et resurrexit | Johann Sebastian Bach, Basel Brass Quintet | C Minor | 1 | 5A | 93 BPM | ||
String Quartet No. 1 in E Minor, "From my life": II. Allegro moderato - A la polka | Bedřich Smetana, Moyzes Quartet | F Minor | 1 | 4A | 91 BPM | ||
Symphony No. 94 in G Major, "Surprise": II. Andante | Joseph Haydn, Heribert Beissel, Philharmony Bonn | C Major | 0 | 8B | 111 BPM | ||
21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 9 in E Minor | Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride | B Minor | 1 | 10A | 106 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 20 (orch. A. Dvorak) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | E Minor | 1 | 9A | 77 BPM | ||
Orchestral Suite No. 4, Op. 61, "Mozartiana": III. Preghiera. Andante ma non tanto | The Royal Festival Orchestra | C Major | 0 | 8B | 139 BPM | ||
Concerto for Piano & Orchestra No. 2 in F Minor, Op. 21: III. Allegro Vivace | Frédéric Chopin, Libor Pešek, Slovak Philharmonic, Marian Pivka | F Minor | 1 | 4A | 105 BPM | ||
Concerto for Viola and Orchestra in G Major: I. Largo | Georg Philipp Telemann, Capella Istropolitana, Paul Kantschieder | E♭ Major | 2 | 5B | 111 BPM | ||
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (a) Im Tempo des Scherzos. Wild herausfahrend | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | D♭ Major | 0 | 3B | 61 BPM |
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