"Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: Fortune plango vulnera" by Carl Orff, Hallé Choir/Hallé Orchestra/Maurice Handford/Ronald Frost, Halle Choir, Maurice Handford, Hallé was released on March 4, 2002. The duration of Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: Fortune plango vulnera is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: Fortune plango vulnera's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Orff Carmina Burana". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: Fortune plango vulnera is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: Fortune plango vulnera by Carl Orff, Hallé Choir/Hallé Orchestra/Maurice Handford/Ronald Frost, Halle Choir, Maurice Handford, Hallé having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Toccata and Fugue in D minor | Johann Sebastian Bach, William McVicker | D Minor | 0 | 7A | 72 BPM | ||
Brook Green Suite, H. 190: I. Prelude. Allegretto | Gustav Holst, Richard Hickox, City of London Sinfonia | C Major | 1 | 8B | 67 BPM | ||
Le Carnaval des Animaux, R. 125: VII. Aquarium | Camille Saint-Saëns, Ensemble Musique Oblique | A Minor | 0 | 8A | 127 BPM | ||
Concerto for Harp and Orchestra in E-Flat Major, Op. 74: II. Tema con variazioni | Reinhold Glière, Richard Hickox, City of London Sinfonia, Rachel Masters | B Major | 0 | 1B | 82 BPM | ||
Messiah, HWV 56, Part II: "Hallelujah!" | George Frideric Handel, Les Arts Florissants, William Christie | D♭ Major | 2 | 3B | 120 BPM | ||
Simple Symphony, Op. 4: Sentimental Sarabande | Benjamin Britten, Royal Northern Sinfonia, Steuart Bedford | G Minor | 0 | 6A | 75 BPM | ||
Handel in the Strand, RMTB 2a | Percy Grainger, Richard Hickox, BBC Philharmonic | G Major | 1 | 9B | 112 BPM | ||
Scheherazade: The Young Prince | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 91 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Enigma | Edward Elgar, Bournemouth Symphony Orchestra, George Hurst | C Major | 5 | 8B | 132 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM |
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