- BPM
- 122
- Key
- G Minor
- Camelot
- 6A
Goldberg Variations, BWV 988: Var. 30, Quodlibet - Johann Sebastian Bach, Murray Perahia Information
- Acousticness
- 98%
- Danceability
- 37%
- Energy
- 28%
- Instrumentalness
- 88%
- Liveness
- 27%
- Loudness
- 66%
- Speechiness
- 5%
- Valence
- 49%
- Popularity
- 6%
- Loudness
- -20.199 dB
Summary
Johann Sebastian Bach, Murray Perahia made "Goldberg Variations, BWV 988: Var. 30, Quodlibet" available on October 7, 2016. With Goldberg Variations, BWV 988: Var. 30, Quodlibet being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Murray Perahia's "Murray Perahia - The Bach Album" album is number 22 out of 25. On top of that, United States appears to be the country where this track was created. Based on our statistics, Goldberg Variations, BWV 988: Var. 30, Quodlibet's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Goldberg Variations, BWV 988: Var. 30, Quodlibet BPM
We consider the tempo marking of Goldberg Variations, BWV 988: Var. 30, Quodlibet by Johann Sebastian Bach, Murray Perahia to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
Goldberg Variations, BWV 988: Var. 30, Quodlibet Key
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | |
 | Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | |
 | Overture (Suite) In D Major, TWV 55:D15: III. Harlequinade | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 135 BPM | |
 | Concerto for 2 Cellos, Strings and Continuo in G minor, RV 531: 2. Largo | Antonio Vivaldi, Anner Bylsma, Anthony Pleeth, Academy of Ancient Music, Christopher Hogwood | A♭ Major | 0 | 4B | 75 BPM | |
 | Kleine Präludien: No.3 in D Minor, BWV 926 | Inge Rosar | D Minor | 1 | 7A | 83 BPM | |
 | Cello Concerto No. 1 in G Major: II. Romance: Andantino | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | B♭ Major | 0 | 6B | 91 BPM | |
 | Sonata No. 2 in E-Flat Major, BWV 1031: II. Siciliana | Johann Sebastian Bach, James Galway | G Minor | 0 | 6A | 102 BPM | |
| Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 1 | 7A | 61 BPM | |
 | Goldberg Variations, BWV 988: Var. 1 | Johann Sebastian Bach, Murray Perahia | G Major | 3 | 9B | 106 BPM | |
 | Cello Suite No. 3 in C Major, BWV 1009: V. Bourrées I & II | Johann Sebastian Bach, Yo-Yo Ma | C Major | 1 | 8B | 84 BPM |
- ISRC
- USSM10007967
- Label
- L-M Records/RCA Records
Section: 0.7255544662475586
End: 0.7304034233093262