Requiem in D Minor, K. 626: III. Sequentia - Confutatis - Wolfgang Amadeus Mozart, Carlo Maria Giulini, Philharmonia Orchestra Information

Acousticness: 95%
Danceability: 27%
Energy: 4%
Instrumentalness: 78%
Liveness: 30%
Loudness: 61%
Speechiness: 4%
Valence: 11%
Popularity: 0%
Loudness: -23.404 dB

Summary

"Requiem in D Minor, K. 626: III. Sequentia - Confutatis" by Wolfgang Amadeus Mozart, Carlo Maria Giulini, Philharmonia Orchestra was released on 1982. The duration of Requiem in D Minor, K. 626: III. Sequentia - Confutatis is about 3 minutes long, at 3:22. Based on our data, "Requiem in D Minor, K. 626: III. Sequentia - Confutatis" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 190 in Carlo Maria Giulini - The Complete Sony Recordings by Carlo Maria Giulini. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Requiem in D Minor, K. 626: III. Sequentia - Confutatis is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Requiem in D Minor, K. 626: III. Sequentia - Confutatis BPM

The tempo marking of Requiem in D Minor, K. 626: III. Sequentia - Confutatis by Wolfgang Amadeus Mozart, Carlo Maria Giulini, Philharmonia Orchestra is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.

Requiem in D Minor, K. 626: III. Sequentia - Confutatis Key

The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Mass in C Major, Op. 86: II. Gloria	Ludwig van Beethoven, Kaisa Ranta, Niina Keitel, Topi Lehtipuu, Nicholas Söderlund, Chorus Cathedralis Aboensis, Turku Philharmonic Orchestra, Leif Segerstam	C Major	3	8B	104 BPM
Larghetto & Allegro for 2 Pianos in E-Flat Major, Fr1781f (Compl. & Orch. Lev): I. Larghetto –	Wolfgang Amadeus Mozart, Alon Kariv, English Chamber Orchestra, MultiPiano, Tomer Lev	E♭ Major	0	5B	144 BPM
Der Stein der Weisen, Act I: Duet. Tralleralara! Tralleralla!	Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Kevin Deas, Jane Giering-De Haan	E♭ Major	2	5B	77 BPM
Chopin: Waltz No. 11 in G-Flat Major, Op. Posth. 70 No. 1	Frédéric Chopin, Cyprien Katsaris	F♯ Major	1	2B	83 BPM
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Sinfonia in E major, RV 132: II. Andante	Karoly Botvay	A Major	0	11B	79 BPM
Die Zauberflöte - Singspiel in two acts, K. 620, Act II: O Isis und Osiris (Sarastro, Chor) - 1987 Digital Remaster	Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch	F Major	1	7B	92 BPM
Symphony No. 25 in G minor, K.183: 1. Allegro con brio	Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner	G Minor	2	6A	80 BPM
Violin Concerto No. 4 in D Minor, Op. 31: II. Adagio religioso	Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi	E♭ Major	1	5B	66 BPM
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale)	Academy of St. Martin in the Fields	E Major	0	12B	68 BPM

ISRC: USSM18900756
Label: L-M Records/RCA Records

Section: 0.7028863430023193

End: 0.7060341835021973