"Rihm: String Quartet No. 4: I. Agitato, allegro - Alla marcia, allegro ma non troppo (Live at Vienna Konzerthaus, 1990)" by Wolfgang Rihm, Alban Berg Quartett was released on January 1, 1993. Rihm: String Quartet No. 4: I. Agitato, allegro - Alla marcia, allegro ma non troppo (Live at Vienna Konzerthaus, 1990) is about six minutes long, preciously at 6:11, making this song fairly long compared to other songs. There are a total of 8 in the song's album "Rihm & Schnittke: String Quartets No. 4 (Live at Vienna Konzerthaus, 1990)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Rihm: String Quartet No. 4: I. Agitato, allegro - Alla marcia, allegro ma non troppo (Live at Vienna Konzerthaus, 1990) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Rihm: String Quartet No. 4: I. Agitato, allegro - Alla marcia, allegro ma non troppo (Live at Vienna Konzerthaus, 1990) by Wolfgang Rihm, Alban Berg Quartett having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Gesänge, Op. 17, D. 983: No. 4, Die Nacht (Arr. for Vocal Ensemble & Cello by Simon Parkin) | Franz Schubert, Josephine Knight, The Gesualdo Six | A Major | 0 | 11B | 76 BPM | ||
String Quartet No. 2 | Sofia Gubaidulina, Stamic Quartet | D Major | 0 | 10B | 77 BPM | ||
Lemminkäinen, Op. 22: II. The Swan of Tuonela. Andante molto sostenuto | Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki | C Minor | 2 | 5A | 144 BPM | ||
Piano Trio in A Minor, M. 67: III. Passacaille. Très large | Maurice Ravel, Florestan Trio | F♯ Minor | 0 | 11A | 77 BPM | ||
Hexapoda: No. 4, Jim Jives | Robert Russell Bennett, Patrick Savage, Martin Cousin | B♭ Major | 2 | 6B | 59 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante (1) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
Shaker Loops: II. Hymning Slews | John Adams, Oxalys | A Major | 0 | 11B | 61 BPM | ||
The Four Temperaments for Piano and String Orchestra: Var. 4. Cholerisch. Vivace | Paul Hindemith, Anna Gourari, Orchestra della Svizzera Italiana, Markus Poschner | C Major | 2 | 8B | 85 BPM | ||
Made Of Dreams | Return Of Dream | B♭ Minor | 2 | 3A | 172 BPM | ||
Jagden und Formen (2008 Version): Takt 953 | Wolfgang Rihm, Bavarian Radio Symphony Orchestra, Franck Ollu | B Minor | 0 | 10A | 71 BPM |
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