"Peer Gynt Suites No.1 Op.46 & Op.55: Anitra's Dance" by Edvard Grieg, Maxwell Philharmonic Orchestra was released on May 3, 2023. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Edvard Grieg, Maxwell Philharmonic Orchestra's "Grieg: Peer Gynt Suites No.1 Op.46 & Op.55" album is number 2 out of 6. Based on our statistics, Peer Gynt Suites No.1 Op.46 & Op.55: Anitra's Dance's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Peer Gynt Suites No.1 Op.46 & Op.55: Anitra's Dance by Edvard Grieg, Maxwell Philharmonic Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bruja - Live | Jorge Vargas, MCPS Southeast All-County Middle School Orchestra, Jessica Price | A Minor | 2 | 8A | 125 BPM | ||
La Bohème, SC 6, Act IV: Sono andati? | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | A♭ Major | 0 | 4B | 82 BPM | ||
Saint-Saëns: Le carnaval des animaux, R. 125: XIV. Final | Camille Saint-Saëns, Michel Plasson, Mikhail Rudy, Tzimon Barto, Orchestre Du Capitole De Toulouse | C Major | 3 | 8B | 94 BPM | ||
Rimsky-Korsakov: Capriccio espagnol, Op. 34: I. Alborada (Vivo e strepitoso) | Nikolai Rimsky-Korsakov, Mstislav Rostropovich, Orchestre de Paris | A Major | 4 | 11B | 119 BPM | ||
Dichter und Bauer: Overture | Franz von Suppé, Tonkünstler-Orchester, Ola Rudner | C Major | 0 | 8B | 76 BPM | ||
Las Golondrinas, III parte: "Pantomima" | Coro del Gran Teatro Lírico de Bacelona, Orquesta del Gran Teatro del Liceo de Barcelona | E♭ Major | 2 | 5B | 129 BPM | ||
Tre Sonetti di Petrarca (Three Petrarch Sonnets) : Sonetto No.123 in A flat major | Leonid Dorfman | A♭ Major | 0 | 4B | 133 BPM | ||
Chopin: Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo. Vivace | Frédéric Chopin, György Cziffra, György Cziffra Jr., Orchestre National de l'Opéra de Monte-Carlo | C Minor | 1 | 5A | 75 BPM | ||
Emma, ou la promesse imprudente, S. 6 (Excerpts): Entr'acte to Act II | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 160 BPM | ||
Glazunov's Violin Concerto In A Minor, Op. 82 - III. Allegro | Nathan Milstein | A Major | 3 | 11B | 139 BPM |
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