Eugene Onegin (Lyrical scenes in three acts) (Act 1): Chorus and dance of peasants
Pyotr Ilyich Tchaikovsky, Emil Tchakarov, Sofia Festival Orchestra
Tchaikovsky: Eugene Onegin
4:53 1990
BPM
89
Key
C Minor
Camelot
5A

Embed

Share Link

Eugene Onegin (Lyrical scenes in three acts) (Act 1): Chorus and dance of peasants - Pyotr Ilyich Tchaikovsky, Emil Tchakarov, Sofia Festival Orchestra Information

Acousticness
90%
Danceability
25%
Energy
21%
Instrumentalness
1%
Liveness
24%
Loudness
62%
Speechiness
4%
Valence
29%
Popularity
Loudness
-22.796 dB

Summary

Pyotr Ilyich Tchaikovsky, Emil Tchakarov, Sofia Festival Orchestra's 'Eugene Onegin (Lyrical scenes in three acts) (Act 1): Chorus and dance of peasants' came out on 1990. With this song being about 5 minutes long, at 4:53, "Eugene Onegin (Lyrical scenes in three acts) (Act 1): Chorus and dance of peasants" by Pyotr Ilyich Tchaikovsky, Emil Tchakarov, Sofia Festival Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 23 in the song's album "Tchaikovsky: Eugene Onegin". In this album, this song's track order is #3. Eugene Onegin (Lyrical scenes in three acts) (Act 1): Chorus and dance of peasants is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Eugene Onegin (Lyrical scenes in three acts) (Act 1): Chorus and dance of peasants BPM

With Eugene Onegin (Lyrical scenes in three acts) (Act 1): Chorus and dance of peasants by Pyotr Ilyich Tchaikovsky, Emil Tchakarov, Sofia Festival Orchestra having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.

Eugene Onegin (Lyrical scenes in three acts) (Act 1): Chorus and dance of peasants Key

This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Beethoven: Symphony No. 6 in F Major, Op. 68 Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppoLudwig van Beethoven, Philadelphia Orchestra, Riccardo MutiF♯ Major02B88 BPM
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor by Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp MinorSeattle Symphony Orchestra, Johannes Brahms, Gerard SchwarzG Minor16A83 BPM
Swan Lake, Op.20, Act I: 8. Dance with Goblets (Tempo di polacca) by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony OrchestraSwan Lake, Op.20, Act I: 8. Dance with Goblets (Tempo di polacca)Pyotr Ilyich Tchaikovsky, André Previn, London Symphony OrchestraE Major412B122 BPM
Don Quixote: Act I: Quiteria and Basilio by Ludwig Minkus, Sofia National Opera Orchestra, Nayden TodorovDon Quixote: Act I: Quiteria and BasilioLudwig Minkus, Sofia National Opera Orchestra, Nayden TodorovE Minor09A178 BPM
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo by Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith ClarkLes contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: IntermezzoJacques Offenbach, Slovak Radio Symphony Orchestra, Keith ClarkG Major19B93 BPM
Danse macabre in G Minor, Op. 40 by Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith ClarkDanse macabre in G Minor, Op. 40Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith ClarkG Minor26A116 BPM
Symphony No. 9 in E Minor, Op. 95 Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro moltoAntonín Dvořák, New York Philharmonic, Alan GilbertE Minor19A125 BPM
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) by Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel HardingSymphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo)Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel HardingB♭ Major26B147 BPM
13 Pieces, Op. 76: No. 2. Etude by Jean Sibelius, Olli Mustonen13 Pieces, Op. 76: No. 2. EtudeJean Sibelius, Olli MustonenG Major19B92 BPM
Lohengrin: Prelude by Richard Wagner, Slovak Philharmonic, Michael HalaszLohengrin: PreludeRichard Wagner, Slovak Philharmonic, Michael HalaszA Major011B75 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7098586559295654

End: 0.7147903442382812