Joseph Jongen, Christian Lindberg, Roland Pöntinen's ' "Aria et Polonaise, Op. 128" was released on its scheduled release date, January 1, 1985. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Christian Lindberg, Roland Pöntinen's "Lindberg, Christian: Romantic Trombone (The)" album is number 5 out of 8. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, Aria et Polonaise, Op. 128's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Aria et Polonaise, Op. 128 by Joseph Jongen, Christian Lindberg, Roland Pöntinen to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jesu bleibet meine Freude, BWV 147, No. 10 (Arr. for Two Pianos by Victor Babin) | Johann Sebastian Bach, Tal & Groethuysen | C Major | 1 | 8B | 97 BPM | ||
How Fair This Spot, Op. 21 No. 7 (Transcribed for cello and piano) | Dmitri Shostakovich, Boris Andrianov, Rem Urasin | A♭ Major | 1 | 4B | 107 BPM | ||
2 Songs for Children: No. 1. Little Birdie (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | F Major | 0 | 7B | 85 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Oslo Philharmonic Orchestra, Klaus Mäkelä | C Major | 1 | 8B | 150 BPM | ||
On a Summer Evening for flute & piano | Gordon Jacob, Rachel Smith, Rachel Fryer, Paul Gregory, Jenny Broome, Esther Ward-Caddle | D Major | 1 | 10B | 67 BPM | ||
Pictures at an Exhibition: VIIIb. Con mortuis in lingua mortua | Modest Mussorgsky, Robert Neumann | F♯ Major | 0 | 2B | 137 BPM | ||
7 Variations on "Bei Männern, welche Liebe fühlen" from Mozart's Die Zauberflöte in E-Flat Major, WoO 46 : Variation VI. Adagio | Ludwig van Beethoven, Jungin Huh, Ilya Rashkovskiy | E♭ Major | 0 | 5B | 119 BPM | ||
13 Preludes, Op. 69: No. 1, Inquiétude | Joseph Jongen, Ivan Ilić | F Major | 0 | 7B | 68 BPM | ||
Here's One (Arr. Kaufman for Violin and Piano) | William Grant Still, Randall Goosby, Zhu Wang | D♭ Minor | 1 | 12A | 84 BPM | ||
A. Scotto: Orchestral Sketch n.°2 | Aurelio Scotto, Symphony Chamber Orchestra 2001 | A Minor | 2 | 8A | 132 BPM |