"Symphony No.3 in E flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai" by London Symphony Orchestra, Josef Krips was released on November 27, 2011. Symphony No.3 in E flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai appears to be safe for all ages as it is not explicit. There is only one song in 1-2-3 - Greatest Symphonies, so we believe that "Symphony No.3 in E flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai" is a single. Symphony No.3 in E flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No.3 in E flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai by London Symphony Orchestra, Josef Krips is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity | Gustav Holst, Orchestre Symphonique de Montréal, Charles Dutoit | G Minor | 2 | 6A | 136 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Piano Concerto No. 1 in B Flat minor, Op.23 - I. Allegro non troppo e molto maestoso (opening) | Horacio Gutiérrez, London Symphony Orchestra, André Previn | D♭ Major | 3 | 3B | 123 BPM | ||
The Lighting of the Beacons | Howard Shore | A Minor | 3 | 8A | 143 BPM | ||
The 4 Seasons: Violin Concerto in G minor, Op. 8, No. 2, RV 315, "L'estate" (Summer): III. Presto | Karoly Botvay | G Major | 3 | 9B | 137 BPM | ||
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
This Is Berk | John Powell | E♭ Major | 5 | 5B | 123 BPM | ||
Can-Can From Orpheus In The Underworld | Jacques Offenbach, Royal Philharmonic Orchestra, Philip Ellis | D Major | 6 | 10B | 165 BPM | ||
Serenade for tenor, horn & strings, Op. 31: Dirge - This Ae Night | Benjamin Britten, Sir Peter Pears, Barry Tuckwell, London Symphony Orchestra | A♭ Major | 2 | 4B | 113 BPM | ||
Tsar Saltan, Op. 57: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, André Previn, London Symphony Orchestra | A Minor | 1 | 8A | 83 BPM |
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