"Idomeneo re di Creta, K. 366: Act I Scene 2: Non ho colpa, e mi condanni (Idamante)" by Wolfgang Amadeus Mozart, Christian Elsner, Kristina Hammarstrom, Henriette Bonde-Hansen, Raffaella Milanesi, Christoph Strehl, Goran Eliasson, Stephen Milling, Ditte Andersen, Maria Kontra, Mathias Hedegaard, Jakob Bloch Jepsen, Danish National Choir, Richard Lewis, Danish Radio Sinfonietta, Ádám Fischer was released on October 26, 2010. Since Idomeneo re di Creta, K. 366: Act I Scene 2: Non ho colpa, e mi condanni (Idamante) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Ádám Fischer's "Mozart: Idomeneo re di Creta" album is number 5 out of 59. On top of that, Denmark appears to be the country where this track was created. Based on our statistics, Idomeneo re di Creta, K. 366: Act I Scene 2: Non ho colpa, e mi condanni (Idamante)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Idomeneo re di Creta, K. 366: Act I Scene 2: Non ho colpa, e mi condanni (Idamante) by Wolfgang Amadeus Mozart, Christian Elsner, Kristina Hammarstrom, Henriette Bonde-Hansen, Raffaella Milanesi, Christoph Strehl, Goran Eliasson, Stephen Milling, Ditte Andersen, Maria Kontra, Mathias Hedegaard, Jakob Bloch Jepsen, Danish National Choir, Richard Lewis, Danish Radio Sinfonietta, Ádám Fischer to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Flute and Harp in C Major, K. 299: I. Allegro | Wolfgang Amadeus Mozart, Jiří Válek, Hana Mullerova, Capella Istropolitana, Richard Edlinger | C Major | 1 | 8B | 119 BPM | ||
6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: II. Romanza: Larghetto | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | B♭ Major | 0 | 6B | 83 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
The 4 Seasons: Violin Concerto in G minor, Op. 8, No. 2, RV 315, "L'estate" (Summer): II. Adagio - Presto | Karoly Botvay | G Minor | 0 | 6A | 87 BPM | ||
Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con Grazia | Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo Fossi | E♭ Major | 2 | 5B | 49 BPM | ||
Symphony No.3 in F, Op.90: 3. Poco allegretto | Johannes Brahms, Cleveland Orchestra, Lorin Maazel | C Minor | 0 | 5A | 75 BPM | ||
Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Andrew Marriner, Jaime Martin, London Symphony Orchestra | G Major | 2 | 9B | 197 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Piano Concerto No. 2 in D Minor, Op. 40, MWV O11: II. Adagio - Molto sostenuto | Felix Mendelssohn, Benjamin Frith, Slovak State Philharmonic Orchestra, Kosice, Robert Stankovsky | B♭ Major | 0 | 6B | 131 BPM |
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