"Chamber Symphony, Op. 57: I. Largo" by Nikolai Kapustin, Württemberg Chamber Orchestra, Frank Dupree was released on August 6, 2021. Since Chamber Symphony, Op. 57: I. Largo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Richard J. Birkin, London Contemporary Orchestra, Henrik Lindstrand, Robert Ames, Poppy Ackroyd, Nikolai Kapustin, Frank Dupree, Württemberg Chamber Orchestra, Case Scaglione's "Kapustin: Orchestral Works" album is number 5 out of 7. On top of that, Germany appears to be the country where this track was created. Chamber Symphony, Op. 57: I. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Chamber Symphony, Op. 57: I. Largo by Nikolai Kapustin, Württemberg Chamber Orchestra, Frank Dupree to be Lento (slowly) because the track has a tempo of 54 BPM, a half-time of 27BPM, and a double-time of 108 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriccio In C Major, Op. 76 No.8 | Johannes Brahms, Kun-Woo Paik | C Major | 2 | 8B | 33 BPM | ||
Visions fugitives, Op. 22: XVIII. Con una dolce lentezza | Sergei Prokofiev, Steven Osborne | A Minor | 0 | 8A | 106 BPM | ||
Four Piano Blues (1926-48): 3. Muted and Sensuous (for William Kapell) | Aaron Copland, Leo Smit | B♭ Minor | 0 | 3A | 79 BPM | ||
Etudes-Tableaux, Op. 39: No. 6 in A Minor. Allegro | Sergei Rachmaninoff, Alexander Krichel | A Minor | 2 | 8A | 79 BPM | ||
Preludio amolecado | Radamés Gnattali, Martin Jones | F Major | 0 | 7B | 89 BPM | ||
Preludes, Op. 11: No. 20 in C-Minor, Appassionato | Classical Mirror | A♭ Major | 1 | 4B | 80 BPM | ||
4 Préludes, Op. 22: No. 3 in B Major, Allegretto | Alexander Scriabin, Igor Gryshyn | E Major | 0 | 12B | 92 BPM | ||
(Ré)inventio: No. 5 in E-Flat Major [After J.S. Bach's BWV 776] | Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay | E♭ Major | 4 | 5B | 95 BPM | ||
Nocturne No. 18 in E, Op. 62 No. 2 | Frédéric Chopin, Kun-Woo Paik | D Major | 0 | 10B | 135 BPM | ||
Eight Concert Etudes Op. 40 Pastoral | Nikolai Kapustin | E♭ Major | 6 | 5B | 114 BPM |
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