- BPM
- 175
- Key
- B♭ Major
- Camelot
- 6B
Sonata for Flute, Viola and Harp, L. 137: 1. Pastorale - Pt. 1 - Claude Debussy, Frédérique Cambreling, Philippe Bernold, Bruno Pasquier Information
- Acousticness
- 92%
- Danceability
- 22%
- Energy
- 6%
- Instrumentalness
- 0%
- Liveness
- 17%
- Loudness
- 56%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 2%
- Loudness
- -26.172 dB
Summary
"Sonata for Flute, Viola and Harp, L. 137: 1. Pastorale - Pt. 1" by Claude Debussy, Frédérique Cambreling, Philippe Bernold, Bruno Pasquier was released on June 7, 2022. With Sonata for Flute, Viola and Harp, L. 137: 1. Pastorale - Pt. 1 being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 51 out of 231 in Debussy: Music For Concentration by Claude Debussy. Going off of the ISRC code of this track, we detected that the origin of this track is from France. The popularity of Sonata for Flute, Viola and Harp, L. 137: 1. Pastorale - Pt. 1 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Sonata for Flute, Viola and Harp, L. 137: 1. Pastorale - Pt. 1 BPM
The tempo marking of Sonata for Flute, Viola and Harp, L. 137: 1. Pastorale - Pt. 1 by Claude Debussy, Frédérique Cambreling, Philippe Bernold, Bruno Pasquier is Vivace (lively and fast), since this song has a tempo of 175 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
Sonata for Flute, Viola and Harp, L. 137: 1. Pastorale - Pt. 1 Key
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Piano Concerto No. 2 in C Minor, Op. 18: 1. Moderato | Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis | C Minor | 1 | 5A | 55 BPM | |
 | Waldszenen, Op. 82: 3. Einsame Blumen | Robert Schumann, Mitsuko Uchida | B♭ Major | 0 | 6B | 69 BPM | |
 | Préludes / Book 1, L. 117: No. 8, The Girl with the Flaxen Hair | Claude Debussy, Ruth Slenczynska | F♯ Major | 0 | 2B | 71 BPM | |
 | Liebesleid (Love's Sorrow) | Fritz Kreisler, Sergei Rachmaninoff, RueiBin Chen | A Major | 2 | 11B | 98 BPM | |
 | Chopin - Prelude E-Minor OP.28 No 4 | Martin Bloch | E Minor | 0 | 9A | 68 BPM | |
 | Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | |
 | Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | |
 | 4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | |
 | Romance for Cello and Piano | Frederick Delius, Yo-Yo Ma, Kathryn Stott | B Major | 0 | 1B | 66 BPM | |
 | Lullaby, Op. 57 No. 2 (Arr. for Cello & Piano) | Cyril Scott, Richard Jenkinson, Benjamin Frith | D Major | 0 | 10B | 91 BPM |
- ISRC
- FRUM72200885
- Label
- L-M Records/RCA Records
Section: 0.6103026866912842
End: 0.6152420043945312