"Suite Modale: Suite Modale: Koraal" by David Humphreys was released on October 19, 2007. The duration of Suite Modale: Suite Modale: Koraal is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Suite Modale: Suite Modale: Koraal's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Sounds From St Albans". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Suite Modale: Suite Modale: Koraal is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite Modale: Suite Modale: Koraal by David Humphreys having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Will Be a Child of Peace (Version for Mixed Choir & Piano) | Elaine Hagenberg, Georgia State University Singers, Jonathan Crutchfield, Deanna Joseph | E♭ Major | 1 | 5B | 69 BPM | ||
When I Survey | The Coventry Singers | E♭ Major | 2 | 5B | 91 BPM | ||
Wesley: Lo! He Comes with Clouds Descending (Helmsley) - 4. Yea, Amen! Let All Adore Thee | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | G Major | 2 | 9B | 59 BPM | ||
Hanover "O Worship the King all Glorious Above" | William Croft, The Choir of Tewkesbury Abbey School, Carleton Etherington, Benjamin Nicholas | G Major | 2 | 9B | 93 BPM | ||
The Golden Rule | Gary W. Yoder, Tapestry Chamber Singers | F♯ Major | 1 | 2B | 87 BPM | ||
O Taste and See How Gracious the Lord Is | Arthur Sullivan, Choir of Keble College, Oxford, Gavin Plumley, Mark Laflin | G Major | 2 | 9B | 169 BPM | ||
How Blessed Are All Who Fear the Lord (Psalm 128a) | Crown & Covenant | F Minor | 8 | 4A | 109 BPM | ||
Master Speak Thy Servant Heareth | St. Michael's Choir | G Major | 1 | 9B | 103 BPM | ||
Ride on, Ride on, in Majesty | Henry Hart Milman, Salisbury Cathedral Choir, Simon Lole | B♭ Major | 2 | 6B | 98 BPM | ||
Come, Risen Lord: Come, risen Lord | Leo Sowerby, Cathedral Choral Society, Nicholas White, Gisele Becker | B♭ Major | 1 | 6B | 79 BPM |
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