Arthur Sullivan, Choir of Keble College, Oxford, Gavin Plumley, Mark Laflin's 'O Taste and See How Gracious the Lord Is' came out on February 20, 2001. The duration of O Taste and See How Gracious the Lord Is is about 3 minutes long, at 3:00. Based on our data, "O Taste and See How Gracious the Lord Is" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "The Church Music of Sir Arthur Sullivan". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. The popularity of O Taste and See How Gracious the Lord Is is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With O Taste and See How Gracious the Lord Is by Arthur Sullivan, Choir of Keble College, Oxford, Gavin Plumley, Mark Laflin having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonic Dances from "West Side Story" *: Symphonic Dances from West Side Story: Somewhere (Adagio) | Leonard Bernstein, New York Philharmonic, West Side Story Original Broadway Cast | E Major | 1 | 12B | 118 BPM | ||
Iolanthe: Introduction | New D'Oyly Carte Opera, New D'Oyly Carte Opera Orchestra, Arthur Sullivan | E Major | 3 | 12B | 130 BPM | ||
Elijah, Op. 70: Introduction "As God the Lord of Israel Liveth" | Felix Mendelssohn, Simon Keenlyside, Paul McCreesh | F Minor | 0 | 4A | 75 BPM | ||
Il Trovatore - Act 2: "Il balen del suo sorriso" - "Qual suono! o ciel!" | Giuseppe Verdi, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | B♭ Major | 2 | 6B | 80 BPM | ||
Roméo et Juliette, Act II: Ah, je veux vivre dans ce reve | Charles Gounod, Kathleen Battle, Orchestre de l’Opéra national de Paris, Myung-Whun Chung | B♭ Major | 1 | 6B | 103 BPM | ||
26. From ev'ry kind of man Obedience I expect | Arthur Sullivan, Lyndsie Holland, John Ayldon, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | C Major | 2 | 8B | 80 BPM | ||
Three Little Maids From School Are We from The Mikado - Voice | Arthur Sullivan, Carl Davis, Dorothy Atkinson, Shirley Henderson | C Major | 3 | 8B | 116 BPM | ||
Said I to myself, said I | Arthur Sullivan, John Reed, The New Symphony Orchestra Of London, Isidore Godfrey | G Major | 2 | 9B | 99 BPM | ||
Carmina Burana, Pt. 1: No. 7, Floret silva nobilis | Carl Orff, Atlanta Symphony Orchestra, Robert Shaw | D Minor | 1 | 7A | 138 BPM | ||
La Cenerentola / Act 2: "Non più mesta" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Alessandro Corbelli, Enzo Dara, Michele Pertusi, Fernanda Costa, Gloria Banditelli, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E Major | 3 | 12B | 137 BPM |
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